Facial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity.
Facial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity.
Eleanor Rycroft is a lecturer in Theatre and Performance at the University of Bristol. A theatre historian of early English and Scottish drama, her research often involves practical explorations of plays. Recent publications include a co-edited special edition of The Shakespeare Bulletin, as well as book chapters for Oxford University Press, Palgrave, and Ashgate. She has written on material cultures of the early modern stage, theatre at the court of Henry VIII, practice-as-research, and the historical performance of witchcraft.
Inhaltsangabe
Introduction 1. Youth: Beardless boys 2. Liminal masculinity 3. Maturity: Lovers and bearded manhood 4. Old age: Greybeards and the decline of manliness Afterword: The nest of beards
Introduction 1. Youth: Beardless boys 2. Liminal masculinity 3. Maturity: Lovers and bearded manhood 4. Old age: Greybeards and the decline of manliness Afterword: The nest of beards
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
