The Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them.This book addresses Jonson's dealings with the actors as well as the printers of his plays and supplements the discussion of different types of parts with a colourful range of case studies.
The Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them.This book addresses Jonson's dealings with the actors as well as the printers of his plays and supplements the discussion of different types of parts with a colourful range of case studies.
Jakub Boguszak is a Lecturer in Shakespeare and Early Modern Theatre at the University of Southampton, UK. His published work includes studies of Shakespeare, Jonson, and early modern drama in performance and in print.
Inhaltsangabe
Acknowledgements Introduction 1 Reconstructing Jonson's parts 2 Jonson's revisions 3 Jonson among the actors 4 Spectating parts Case study: 'Cupid' (Cynthia's Revels (Q)) 5 Humorous parts: sweet fools Case study: 'Polish' (The Magnetic Lady) 6 Humorous parts: bitter fools Case study: 'Adam Overdo' (Bartholomew Fair) 7 Apprentice parts Case study: 'Frances Fitzdottrel' (The Devil Is an Ass) 8 Plotting parts Case study: 'Catiline' (Catiline) 9 All parts assembled Case study: The Alchemist 4.6-4.7 10 Taking the measure of Jonson's plays 11 Conclusion 12 Bibliography Appendix 1: Actors' Parts in Case Studes 'Cupid' (Cynthia's Revels (Q)) 'Polish' (The Magnetic Lady) 'Adam Overdo' (Bartholomew Fair) 'Frances Fitzdottrel' (The Devil Is an Ass) 'Catiline' (Catiline) The Alchemist 4.6-4.7 Appendix 2: Sizes of Actors' parts in Jonson's plays Index
Acknowledgements Introduction 1 Reconstructing Jonson's parts 2 Jonson's revisions 3 Jonson among the actors 4 Spectating parts Case study: 'Cupid' (Cynthia's Revels (Q)) 5 Humorous parts: sweet fools Case study: 'Polish' (The Magnetic Lady) 6 Humorous parts: bitter fools Case study: 'Adam Overdo' (Bartholomew Fair) 7 Apprentice parts Case study: 'Frances Fitzdottrel' (The Devil Is an Ass) 8 Plotting parts Case study: 'Catiline' (Catiline) 9 All parts assembled Case study: The Alchemist 4.6-4.7 10 Taking the measure of Jonson's plays 11 Conclusion 12 Bibliography Appendix 1: Actors' Parts in Case Studes 'Cupid' (Cynthia's Revels (Q)) 'Polish' (The Magnetic Lady) 'Adam Overdo' (Bartholomew Fair) 'Frances Fitzdottrel' (The Devil Is an Ass) 'Catiline' (Catiline) The Alchemist 4.6-4.7 Appendix 2: Sizes of Actors' parts in Jonson's plays Index
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