Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience.
Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience.
Eric Dunnum is an Assistant Professor of English at Campbell University.
Inhaltsangabe
Introduction: The Alterity of Early Modern Audiences Chapter 1: Audience Response to Performance: Fear of Riots, Closures and Unruly Playgoers Chapter 2: Performance's Response to Audience: The Relationship among Audience, Performance and Reality Chapter 3: Fictional Audience's Responses to Fictional Performances: The Didactic Role of Metadrama Chapter 4: Unstable Texts, Active Readers; Stable Performances, Non-Reactive Playgoers Chapter 5: Anti-Mimetic Drama: Performance's Relationship to Reality and the Playgoer's Interpretive Agency Coda: Return to Malfi: The Secrecy of Performance and the Consequences of Constructing Playgoing
Introduction: The Alterity of Early Modern Audiences Chapter 1: Audience Response to Performance: Fear of Riots, Closures and Unruly Playgoers Chapter 2: Performance's Response to Audience: The Relationship among Audience, Performance and Reality Chapter 3: Fictional Audience's Responses to Fictional Performances: The Didactic Role of Metadrama Chapter 4: Unstable Texts, Active Readers; Stable Performances, Non-Reactive Playgoers Chapter 5: Anti-Mimetic Drama: Performance's Relationship to Reality and the Playgoer's Interpretive Agency Coda: Return to Malfi: The Secrecy of Performance and the Consequences of Constructing Playgoing
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