This book proposes a socio-cultural model of translation, taking into account how a translation functions in the receiving culture. It studies successive translations of "Hamlet" from the eighteenth century neoclassical version of Jean-Francois Ducis to the 20th-century Lacanian, post-structuralist stage production of Daniel Mesguich, each chapter focusing on a different aspect of the changing theatrical and literary norms.
This book proposes a socio-cultural model of translation, taking into account how a translation functions in the receiving culture. It studies successive translations of "Hamlet" from the eighteenth century neoclassical version of Jean-Francois Ducis to the 20th-century Lacanian, post-structuralist stage production of Daniel Mesguich, each chapter focusing on a different aspect of the changing theatrical and literary norms.
Preface Introduction: A Cultural Model of Translation 1. Jean-François Ducis' Hamlet, Tragédie imitée de l'Anglois: A Neoclassical Tragedy? 2. Alexandre Dumas and Paul Meurice's Hamlet, Prince de Danemark: Translation as an Exercise in Power 3. Marcel Schwob and Eugène Morand's La Tragique Histoire d'Hamlet: A Folkloric Prose Translation 4. The Blank Verse Shall Halt For't: André Gide's La Tragédie d'Hamlet 5. Yves Bonnefoy's La Tragédie d'Hamlet: An Allegorical Translation 6. Theatre as Translation/Translation as Theatre: Shakespeare's Hamlet by the Théâtre du Miroir. Concluding Remarks. Appendix: Table of Selected Hamlet Productions
Preface Introduction: A Cultural Model of Translation 1. Jean-François Ducis' Hamlet, Tragédie imitée de l'Anglois: A Neoclassical Tragedy? 2. Alexandre Dumas and Paul Meurice's Hamlet, Prince de Danemark: Translation as an Exercise in Power 3. Marcel Schwob and Eugène Morand's La Tragique Histoire d'Hamlet: A Folkloric Prose Translation 4. The Blank Verse Shall Halt For't: André Gide's La Tragédie d'Hamlet 5. Yves Bonnefoy's La Tragédie d'Hamlet: An Allegorical Translation 6. Theatre as Translation/Translation as Theatre: Shakespeare's Hamlet by the Théâtre du Miroir. Concluding Remarks. Appendix: Table of Selected Hamlet Productions
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