Preface Introduction Part I. The Classical Revival of Stage Decoration in Italy: 1. The influence of Vitruvius on the scenic representation of the drama 2. The re-discovery of the art of perspective in scenes 3. The adopting of the perspective scene in dramatic production 4. Machines 5. The theory of the drama Part II. Stage Decoration in England during the Sixteenth Century: 6. Early classical influences in England 7. Dramatic representations in the grammar schools, universities and inns of court 8. Dramatic representations at court 9. Scenery in the public theatres 10. Dramatic criticism Part III. Stage Decoration in England 1600¿50: 11. Progress in the theory of architecture and perspective 12. The work of Inigo Jones and his contemporaries in England 13. Spectacle in the theatres Part IV. Stage Decoration in England after the Restoration: 14. The incorporation of scenes in the public theatres 15. The justification of dramatic spectacle 16. The influence of opera on dramatic genre 17. 'Discoveries' 18. Movable scenes and the unity of place 19. Conclusions Index.
Preface Introduction Part I. The Classical Revival of Stage Decoration in Italy: 1. The influence of Vitruvius on the scenic representation of the drama 2. The re-discovery of the art of perspective in scenes 3. The adopting of the perspective scene in dramatic production 4. Machines 5. The theory of the drama Part II. Stage Decoration in England during the Sixteenth Century: 6. Early classical influences in England 7. Dramatic representations in the grammar schools, universities and inns of court 8. Dramatic representations at court 9. Scenery in the public theatres 10. Dramatic criticism Part III. Stage Decoration in England 1600¿50: 11. Progress in the theory of architecture and perspective 12. The work of Inigo Jones and his contemporaries in England 13. Spectacle in the theatres Part IV. Stage Decoration in England after the Restoration: 14. The incorporation of scenes in the public theatres 15. The justification of dramatic spectacle 16. The influence of opera on dramatic genre 17. 'Discoveries' 18. Movable scenes and the unity of place 19. Conclusions Index.
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