Nicht lieferbar
This book proposes a socio-cultural model of translation, taking into account how a translation functions in the receiving culture. It studies successive translations of "Hamlet" from the eighteenth century neoclassical version of Jean-Francois Ducis to the 20th-century Lacanian, post-structuralist stage production of Daniel Mesguich, each chapter focusing on a different aspect of the changing theatrical and literary norms.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.