This book offers dynamic perspectives on the concept of liveness in the performing arts, engaging with liveness through the particular analytical focus of audiences and experience. With contributions from theatre, music, dance, and performance art, it explores how liveness is produced through processes of audiencing, and how it becomes materialized in acts of performance, making, archiving, and remembering. Theoretical chapters and practice-based reflections visit topics such as fandom, embodiment, documentation, technological mediation, and commodity exchange, showing how the relationship…mehr
This book offers dynamic perspectives on the concept of liveness in the performing arts, engaging with liveness through the particular analytical focus of audiences and experience. With contributions from theatre, music, dance, and performance art, it explores how liveness is produced through processes of audiencing, and how it becomes materialized in acts of performance, making, archiving, and remembering. Theoretical chapters and practice-based reflections visit topics such as fandom, embodiment, documentation, technological mediation, and commodity exchange, showing how the relationship between audience and event is rarely singular and more often malleable and multiple.
Produktdetails
Produktdetails
Routledge Advances in Theatre & Performance Studies
Matthew Reason is Professor of Theatre and Performance at York St John University, UK. Anja Mølle Lindelof is Assistant Professor of Performance Design at Roskilde University, Denmark.
Inhaltsangabe
Contents Introduction: Experiencing Liveness in Contemporary Performance Matthew Reason and Anja Mølle Lindelof Part 1: Audiencing Section Introduction: Matthew Reason and Anja Mølle Lindelof Chapters 1. Coming (a)live: A Prolegomenon to any Future Research on 'Liveness' Martin Barker 2. Orange Dogs and Memory Responses: Creativity in Spectating and Remembering Katja Hilevaara 3. Fandom, Liveness and Technology at Tori Amos Music Concerts: Examining the Movement of Meaning within Social Media Use Lucy Bennett 4. Social and Online Experiences: Shaping Live Listening Expectation in Classical Music Stephanie E. Pitts 5. The Meaning of Lived Experience Paddy Scannell 6. Affect and Experience Matthew Reason Shorts 1. Live Art, Death Threats: The Theatrical Antagonism of First Night Alexis Soloski 2. Attention as a Tension: Affective Experience between Performer and Audience in the Live Encounter Victoria Gray 3. Empathy and Resonant Relationships in Performance Art Lynn Lu 4. Embodied Traces: Co-presence, Kinaesthesia and Bodily Inscription Imogene Newland 5. An Experience of Becoming: Wearing a Tail and Alpine Walking Catherine Bagnall 6. Sisters Academy: Radical Live Intervention into the Educational System Gry Worre Halberg 7. One-to-One Performance: Who's in Charge? Sarah Hogarth and Emma Bramley 8. A Performatic Archive Kerrie Reading 9. Theatre of Bone Rebecca Schneider Part 2: Materialising Section Introduction: Matthew Reason and Anja Mølle Lindelof Chapters 1. What is a Live Event? Gary Peters 2. Improvising Music Experience: The Eternal Ex-temporisation of Music Made Live Steve Tromans 3. The Place of Performance: A Critical Historiography on the Topos of Time Jonah Westerman 4. Objectifying Liveness: Labour, Agency and the Body in the 11 Rooms Exhibition Lisa Newman 5. Reconsidering Liveness in the Age of Digital Implication Eirini Nedelkopoulou 6. Environmental Performance: Framing Time Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo Shorts 1. Three Performances: A Virtual (Musical) Improvisation Mathias Maschat and Christopher Williams 2. Chronography Craig Dworkin 3. Memory, Time and Self: A Text Work based on a Conceptual Performance Paul Forte 4. Broken Magic: The Liveness of Loudspeakers Dugal McKinnon 5. Managing Live Audience Attention in the Age of Digital Mediation: The Good, The God and The Guillotine: Martin Blain 6. Enlivened Serendipity Allen S. Weiss 7. National Theatre Wales's Coriolan/us: A 'Live Film' Mike Pearson 8. Machines in Queer Gardens: Performance as Mixed Surreality Judd Morrissey and Mark Jeffery Afterword So Close and Yet So Far Away: The Proxemics of Liveness Philip Auslander List of Contributors Index
Contents Introduction: Experiencing Liveness in Contemporary Performance Matthew Reason and Anja Mølle Lindelof Part 1: Audiencing Section Introduction: Matthew Reason and Anja Mølle Lindelof Chapters 1. Coming (a)live: A Prolegomenon to any Future Research on 'Liveness' Martin Barker 2. Orange Dogs and Memory Responses: Creativity in Spectating and Remembering Katja Hilevaara 3. Fandom, Liveness and Technology at Tori Amos Music Concerts: Examining the Movement of Meaning within Social Media Use Lucy Bennett 4. Social and Online Experiences: Shaping Live Listening Expectation in Classical Music Stephanie E. Pitts 5. The Meaning of Lived Experience Paddy Scannell 6. Affect and Experience Matthew Reason Shorts 1. Live Art, Death Threats: The Theatrical Antagonism of First Night Alexis Soloski 2. Attention as a Tension: Affective Experience between Performer and Audience in the Live Encounter Victoria Gray 3. Empathy and Resonant Relationships in Performance Art Lynn Lu 4. Embodied Traces: Co-presence, Kinaesthesia and Bodily Inscription Imogene Newland 5. An Experience of Becoming: Wearing a Tail and Alpine Walking Catherine Bagnall 6. Sisters Academy: Radical Live Intervention into the Educational System Gry Worre Halberg 7. One-to-One Performance: Who's in Charge? Sarah Hogarth and Emma Bramley 8. A Performatic Archive Kerrie Reading 9. Theatre of Bone Rebecca Schneider Part 2: Materialising Section Introduction: Matthew Reason and Anja Mølle Lindelof Chapters 1. What is a Live Event? Gary Peters 2. Improvising Music Experience: The Eternal Ex-temporisation of Music Made Live Steve Tromans 3. The Place of Performance: A Critical Historiography on the Topos of Time Jonah Westerman 4. Objectifying Liveness: Labour, Agency and the Body in the 11 Rooms Exhibition Lisa Newman 5. Reconsidering Liveness in the Age of Digital Implication Eirini Nedelkopoulou 6. Environmental Performance: Framing Time Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo Shorts 1. Three Performances: A Virtual (Musical) Improvisation Mathias Maschat and Christopher Williams 2. Chronography Craig Dworkin 3. Memory, Time and Self: A Text Work based on a Conceptual Performance Paul Forte 4. Broken Magic: The Liveness of Loudspeakers Dugal McKinnon 5. Managing Live Audience Attention in the Age of Digital Mediation: The Good, The God and The Guillotine: Martin Blain 6. Enlivened Serendipity Allen S. Weiss 7. National Theatre Wales's Coriolan/us: A 'Live Film' Mike Pearson 8. Machines in Queer Gardens: Performance as Mixed Surreality Judd Morrissey and Mark Jeffery Afterword So Close and Yet So Far Away: The Proxemics of Liveness Philip Auslander List of Contributors Index
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