Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies.
Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies.
Michal Grover-Friedlander is Associate Professor of Musicology and head of the Musicology Department at Tel Aviv University. Her first monograph, Vocal Apparitions: Cinema's Attraction to Opera, was published by Princeton University Press in 2005. Her second book Operatic Afterlives was published by Zone Books in 2011. She is artistic founder and director of the experimental opera ensemble Ta Opera Zuta.
Inhaltsangabe
Introduction Directing Opera Staging Voice Chapter 1: Staging A Vulnerable Voice: Weill and Brecht's Der Jasager (1930) 'Music... goes its own vast peaceful way' Translations and Transformations Consent Yes and No Yes-singing and Mute Agreement Doubling and Muteness Death The Gesture Acrobat, Measure, Distance, Scale Chapter 2: Binding the Voice: Ficarra and Whittington's The Empress's Feet (1995) A Voice for the Feet The Empress's Feet Sleepwalking Feet Sleepwalking Empress Foot-binding Castrati Fold Soaring Voice Hollowed-out voice Aerial Acrobat Chapter 3: Staging Thought in Satie's Socrate (1919) Enigmatic Work Flexible Timbre Satie's Plato Marsyas Cicadas Swan Song Nietzsche's Socrates White Furniture Music Respectful Silence Restaging Socrate Voice and Music Echoed in Staging and Set Staging Musical Myth Staging Socrates's Death Reference List Index
Introduction Directing Opera Staging Voice Chapter 1: Staging A Vulnerable Voice: Weill and Brecht's Der Jasager (1930) 'Music... goes its own vast peaceful way' Translations and Transformations Consent Yes and No Yes-singing and Mute Agreement Doubling and Muteness Death The Gesture Acrobat, Measure, Distance, Scale Chapter 2: Binding the Voice: Ficarra and Whittington's The Empress's Feet (1995) A Voice for the Feet The Empress's Feet Sleepwalking Feet Sleepwalking Empress Foot-binding Castrati Fold Soaring Voice Hollowed-out voice Aerial Acrobat Chapter 3: Staging Thought in Satie's Socrate (1919) Enigmatic Work Flexible Timbre Satie's Plato Marsyas Cicadas Swan Song Nietzsche's Socrates White Furniture Music Respectful Silence Restaging Socrate Voice and Music Echoed in Staging and Set Staging Musical Myth Staging Socrates's Death Reference List Index
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