Thomas Leabhart, Professor of Theatre at Pomona College, California, worked with Etienne Decroux from 1968-72. He authored Modern and Post-Modern Mime (Macmillan, 1989), Etienne Decroux (Routledge, 2019) and co-edited (with Franc Chamberlain) The Decroux Sourcebook (Routledge, 2008). Leabhart edits Mime Journal, and for a decade participated as Artistic Staff at Eugenio Barba's ISTA meetings.
Inhaltsangabe
Acknowledgements Preface 1. Introduction: Lessons from Prague 2. Blowing up the Palace and Hanging up on the Opera 3. Monkey Business and Robin Revelations: Animal Observation in Actor Training 4. Friday Night Pearls of Wisdom 5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood" 6. Triptych 7. Everything Weighs: Wrestling with an Invisible Angel 8. The Mask in Actor Training: Copeau to Decroux 9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's Visage 10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in Corporeal Mime. Index
Acknowledgements
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in Corporeal Mime.
Acknowledgements Preface 1. Introduction: Lessons from Prague 2. Blowing up the Palace and Hanging up on the Opera 3. Monkey Business and Robin Revelations: Animal Observation in Actor Training 4. Friday Night Pearls of Wisdom 5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood" 6. Triptych 7. Everything Weighs: Wrestling with an Invisible Angel 8. The Mask in Actor Training: Copeau to Decroux 9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's Visage 10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in Corporeal Mime. Index
Acknowledgements
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in Corporeal Mime.
Index
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