Walt Stanchfield

Drawn to Life: 20 Golden Years of Disney Master Classes

Volume 1: The Walt Stanchfield Lectures
Herausgeber: Hahn, Don

• Broschiertes Buch

Produktbeschreibung

Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Glen Keane, and John Lasseter.

Produktdetails

• Verlag: Taylor & Francis Ltd
• 2 ed
• Erscheinungstermin: 27. Juli 2023
• Englisch
• Abmessung: 271mm x 216mm x 24mm
• Gewicht: 2510g
• ISBN-13: 9781032104416
• ISBN-10: 1032104414
• Artikelnr.: 67515045

Autorenporträt

Don Hahn produced some of the most successful animated films of all time, including Disney's Beauty and the Beast, the first animated film to be nominated for a Best Picture Oscar®. Three of his films, Who Framed Roger Rabbit, Beauty and the Beast, and The Lion King. are now on the Library of Congress collection as culturally, historically and esthetically significant. Don's films include Disney's Maleficent, Frankenweenie, Hunchback of Notre Dame, Atlantis, and Emperor's New Groove. He was a founder and executive producer of the acclaimed Disneynature Films, executive produced the PBS American Masters documentary Tyrus about Disney Legend Tyrus Wong, and has directed the acclaimed documentaries Waking Sleeping Beauty, and Howard featured on Disney+. He has authored many books on animation, guest lectures at Microsoft, Deloitte, Apple, and is on the advisory board of the Walt Disney Family Museum and a former trustee of PBS SoCal. He holds two Academy Award nominations, two Emmy nominations, two Golden Globes for Best Picture, two Honorary Doctorate degrees, and in 2022 he was named a Disney Legend for his extraordinary contributions to The Walt Disney Company.

Inhaltsangabe

Foreword. Acknowledgements. Basics. 1. Enthusiasm. 2. Principles of
Animation. 3. Consider Anatomy Alone. 4. Anatomy Continued. 5. Consider
Weight. 6. Squash and Stretch - I. 7. Squash and Stretch - II. 8. Stretch
and Squash - III. 9. Line and Silhouette. 10. Basic Shapes versus Details.
11. Using Basic Shapes as Aid in Difficult Drawings. 12. Simplify Where
Possible. 13. Straights and Curves. 14. Overlap, Follow-through, and Drag.
15. Eyes. 16. Avoiding Tangent Lines. 17. Some Simple Rules of Perspective.
18. Some Ways to Create Space and Depth. 19. Some Principles of Drawing.
20. Great Performance or Just a Drawing? 21. Drawing Calories. 22.
Sketching. 23. Animation and Sketching. 24. Simplicity for the Sake of
Clarity. 25. Construction Observations Useful in Animation. 26. The
Opposing Force. Gesture. 27. Anatomy vs. Gesture. 28. Mental and Physical
Preparation. 29. Dividing the Body Into Units. 30. Dimensional Drawing. 31.
The Value of an Action/Gesture Analysis Study. 32. Using a Simple (But
Logical) Approach to Drapery. 33. Drapery - Its Role in Drawing. 34. The
Seriousness of Head Sketching/A New Phrase: "Body Syntax". 35. The Head in
Gesture. 36. From the Living Model to the Living Gesture. 37. A Little More
on Heads. 38. Feeling the Pose. 39. The Pose Is an Extreme. 40. Pose and
Mood. 41. Pose and Mood Plus Timing and Phrasing and Texture. 42. Symbols
for Poses. 43. Positive and Negative. 44. Silhouette. 45. P.S. The
Metaphysical Side. 46. Draw Verbs Not Nouns. 47. Osmosis. 48. Drawing and
Caricature. Seeing. 49. What Not to See. 50. A Bit of Introspection. 51. It
Ain't Easy. 52. A Good First Impression. 53. Stick to the Theme. 54.
Sometimes I Wonder Why I Spend the Lonely Hours... 55. Cleanup - General.
56. Cleanup. 57. Inbetweening. 58. Problems with Drawing in Line. 59.
Superficial Appearance vs. Creative Portrayal. 60. Creative Energy. 61.
More Meanderings. 62. Those Who Cannot Begin Do Not Finish. 63. Body
Language. 64. Note Taking and Sketching. 65. Using the Rules of
Perspective. 66. Applying the Rules of Perspective. 67. Copy the
Model...Who Me? 68. Talk to Your Audience - Through Drawing. 69. Getting at
the Root of the Problem. 70. Doodling vs. Drawing. 71. Purpose in Drawing.
72. When Acting (Drawing) is an Art. Analysis. 73. Action Analysis Class I.
74. Action Analysis Class II. 75. Using Cylinders. 76. Action Analysis -
Hands and Feet. 77. Angles, Angles, Angles. 78. Using Angles. 79. Angles
and Tension. 80. Applying Angles and Tension in Our Drawings. 81. Tennis,
Angles, and Essences. 82. More on the Same. 83. More on "Essence" Drawing.
84. Driving Force Behind the Action. 85. A Drawing Style Appropriate for
Animation. 86. A Drawing Style for Animation, Part II. 87. Learn to Cheat.
88. One Picture Worth A Thousand Words? 89. Double Vision. 90. Lazy Lines.
91. Spot It for Yourself. 92. Do You Promise to Draw the Action, The Whole
Action,and Nothing But the Action? 93. The Pose - A One-Drawing Story. 94.
My Eye Is in Love. 95. Become the Director. 96. Hone Up or Bone Up. 97. The
Illustrated Handout. Creativity. 98. Drawing on the Artist Within. 99. Fine
Tuning the Gesture. 100. For a Better Gesture, Adverbs. 101. Omni - on
Creativity. 102. Metamorphosis. 103. Mime. 104. True Gesture Drawing. 105.
A Second Chance to Make a First Impression. 106. A Good Sketch Is Like a
Good Joke. 107. Opposition. 108. Elastic Band Tension. 109. Get Out of the
Way. 110. Play-Acting. 111. A Storytelling Drawing. 112. Drawing
Techniques. 113. Step Into It. 114. It Could Be That... 115. A First
Impression - Your Intended Goal. 116. Gallery of Class Drawings. 117. Think
First... 118. Piles of Nuts. 119. A Meaningful Assembly. 120. The Time has
Come, The Walrus Said... 121. Clarity. 122. Action or Reaction? Thinking.
123. Be Transformed. 124. Be Relentless. 125. Adjust Your Crystal. 126. A
Love for Drawing. 127. A New Slant on Drawing. 128. Think Gesture. 129.
Precious Instruments. 130. Gesture Drawing, Enthusiasm, and Stuff Like
that. 131. Shape - A Multi-Form Drawing Tool. 132. Deciphering and Defining
Gestures. 133. The Decisive Moment. 134. Relationship of Character to Prop.
135. Drawing. 136. Words That Help in Drawing. 137. A Simple Approach to
Drawing. 138. Vocalizing. 139. Abstracting the Essence. 140. Common vs.
Uncommon Gestures. 141. A Thinking Person's Art. 142. Lines, Lines, Lines.
143. Feel, as Well as See, the Gesture. 144. Savvy Sayin's. 145. The Inner
Force. 146. The Power of "mmm". 147. Gestural Symbolism. 148. Some Left
Over Thoughts. 149. The Right Way? Afterword/Bonus Material. Credits -
Volume I.