Josh Torabi
Music and Myth in Modern Literature
Josh Torabi
Music and Myth in Modern Literature
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This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), revealing new depths to the work of our most enduring writers and thinkers.
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This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), revealing new depths to the work of our most enduring writers and thinkers.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 226
- Erscheinungstermin: 21. Dezember 2020
- Englisch
- Abmessung: 231mm x 152mm x 18mm
- Gewicht: 476g
- ISBN-13: 9780367550790
- ISBN-10: 0367550792
- Artikelnr.: 60016594
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 226
- Erscheinungstermin: 21. Dezember 2020
- Englisch
- Abmessung: 231mm x 152mm x 18mm
- Gewicht: 476g
- ISBN-13: 9780367550790
- ISBN-10: 0367550792
- Artikelnr.: 60016594
Josh Torabi is an Irish Research Council Government of Ireland Postdoctoral Fellow at Trinity College Dublin. He received his PhD in Comparative Literature from UCL in 2020. He has held various scholarships and visiting fellowships at Yale University (2017), the Zurich James Joyce Foundation (2018-19), ILCS (formerly the Institute of Modern Languages Research), University of London (2020-21) and Queen Mary University of London (2020-23). Josh's research focuses on the aesthetic intersections between literature, music and philosophy in the 19th and 20th centuries, with a particular focus on European modernism. He is Chair of the Oscar Levy Forum for Nietzsche Studies at the Centre for Anglo-German Cultural Relations, Queen Mary University of London.
Prelude: Chasing the Ineffable
1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the
Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer's Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe's Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe's Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in
Jean-Christophe
Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music
3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in
Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in
"Proteus"
From Apollo to Bloom: Resisting Songs in the "Sirens"
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and
Dionysian,
Side by Side in "Eumaeus"
Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the
Language
of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.
Myth Updating in Ulysses
4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn's Education
Kretzschmar's Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption
Reprise: Myth and Music as Motifs in the Modern Novel
1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the
Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer's Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe's Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe's Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in
Jean-Christophe
Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music
3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in
Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in
"Proteus"
From Apollo to Bloom: Resisting Songs in the "Sirens"
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and
Dionysian,
Side by Side in "Eumaeus"
Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the
Language
of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.
Myth Updating in Ulysses
4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn's Education
Kretzschmar's Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption
Reprise: Myth and Music as Motifs in the Modern Novel
Prelude: Chasing the Ineffable
1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer's Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe's Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe's Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe
Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music
3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in "Proteus"
From Apollo to Bloom: Resisting Songs in the "Sirens"
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian,
Side by Side in "Eumaeus"
Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the Language
of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.
Myth Updating in Ulysses
4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn's Education
Kretzschmar's Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption
Reprise: Myth and Music as Motifs in the Modern Novel
1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer's Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe's Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe's Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe
Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music
3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in "Proteus"
From Apollo to Bloom: Resisting Songs in the "Sirens"
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian,
Side by Side in "Eumaeus"
Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the Language
of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.
Myth Updating in Ulysses
4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn's Education
Kretzschmar's Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption
Reprise: Myth and Music as Motifs in the Modern Novel
Prelude: Chasing the Ineffable
1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the
Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer's Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe's Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe's Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in
Jean-Christophe
Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music
3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in
Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in
"Proteus"
From Apollo to Bloom: Resisting Songs in the "Sirens"
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and
Dionysian,
Side by Side in "Eumaeus"
Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the
Language
of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.
Myth Updating in Ulysses
4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn's Education
Kretzschmar's Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption
Reprise: Myth and Music as Motifs in the Modern Novel
1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the
Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer's Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe's Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe's Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in
Jean-Christophe
Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music
3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in
Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in
"Proteus"
From Apollo to Bloom: Resisting Songs in the "Sirens"
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and
Dionysian,
Side by Side in "Eumaeus"
Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the
Language
of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.
Myth Updating in Ulysses
4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn's Education
Kretzschmar's Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption
Reprise: Myth and Music as Motifs in the Modern Novel
Prelude: Chasing the Ineffable
1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer's Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe's Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe's Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe
Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music
3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in "Proteus"
From Apollo to Bloom: Resisting Songs in the "Sirens"
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian,
Side by Side in "Eumaeus"
Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the Language
of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.
Myth Updating in Ulysses
4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn's Education
Kretzschmar's Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption
Reprise: Myth and Music as Motifs in the Modern Novel
1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer's Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe's Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe's Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe
Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music
3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in "Proteus"
From Apollo to Bloom: Resisting Songs in the "Sirens"
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian,
Side by Side in "Eumaeus"
Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the Language
of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.
Myth Updating in Ulysses
4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn's Education
Kretzschmar's Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption
Reprise: Myth and Music as Motifs in the Modern Novel