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This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland's Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce's modernist epic Ulysses (1922), and Thomas Mann's late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche's conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to…mehr

Produktbeschreibung
This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland's Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce's modernist epic Ulysses (1922), and Thomas Mann's late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche's conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche's early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland's status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers.
Autorenporträt
Josh Torabi is an Irish Research Council Government of Ireland Postdoctoral Fellow at Trinity College Dublin. He received his PhD in Comparative Literature from UCL in 2020. He has held various scholarships and visiting fellowships at Yale University (2017), the Zurich James Joyce Foundation (2018-19), ILCS (formerly the Institute of Modern Languages Research), University of London (2020-21) and Queen Mary University of London (2020-23). Josh's research focuses on the aesthetic intersections between literature, music and philosophy in the 19th and 20th centuries, with a particular focus on European modernism. He is Chair of the Oscar Levy Forum for Nietzsche Studies at the Centre for Anglo-German Cultural Relations, Queen Mary University of London.