This book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon, but also the Bard's contemporaries, the originality of this volume is highlighted in both its methodology and structure.
This book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon, but also the Bard's contemporaries, the originality of this volume is highlighted in both its methodology and structure.
Fabio Ciambella is a Research fellow at Università della Tuscia, Viterbo, Italy.
Inhaltsangabe
Acknowledgements Introduction Part I Dancing in early modern England: A historical overview 1. Continental and autochthonous sources for early modern dances in England Dancing at the Inns of Court Diaries and annals John Playford's The English Dancing Master (1651) 1. Salome vs David: The early modern querelle on dance between Neoplatonists and Puritans 2. Folk and courtly dances 3. From Elizabeth to Charles, through James: Dance and politics Part II Dance and/as language: State of the art and methodological issues 4. A language for dance: Dance as language 5. Language about dance: Matters of textual and corpus linguistics 6. Early modern English lexicography: Limiting the scope 7. Corpus selection and investigation The VEP Early Modern Drama Collection The #Lancsbox software and lexical analysis Which words to look for Part III Analysis: The lexicon of dance in early modern English plays: An annotated glossary A - Almain/Allemand(e) B - Bergomask; Branle/Brawl C - Canary; Cinquepace/Sinkapace; Coranto/Courante; Country Dance; Cushion Dance D - Dance G - Galliard H - Hay; Horn(e/i)pipe J - Jig/Gig/Gigue L - (La)volta M - Maypole Dance; Measure; Moresca/Morisco; Morris Dance P - Passamezzo; Pavan R - Round(el)/Ring(let) Conclusion Index
Acknowledgements Introduction Part I Dancing in early modern England: A historical overview 1. Continental and autochthonous sources for early modern dances in England Dancing at the Inns of Court Diaries and annals John Playford's The English Dancing Master (1651) 1. Salome vs David: The early modern querelle on dance between Neoplatonists and Puritans 2. Folk and courtly dances 3. From Elizabeth to Charles, through James: Dance and politics Part II Dance and/as language: State of the art and methodological issues 4. A language for dance: Dance as language 5. Language about dance: Matters of textual and corpus linguistics 6. Early modern English lexicography: Limiting the scope 7. Corpus selection and investigation The VEP Early Modern Drama Collection The #Lancsbox software and lexical analysis Which words to look for Part III Analysis: The lexicon of dance in early modern English plays: An annotated glossary A - Almain/Allemand(e) B - Bergomask; Branle/Brawl C - Canary; Cinquepace/Sinkapace; Coranto/Courante; Country Dance; Cushion Dance D - Dance G - Galliard H - Hay; Horn(e/i)pipe J - Jig/Gig/Gigue L - (La)volta M - Maypole Dance; Measure; Moresca/Morisco; Morris Dance P - Passamezzo; Pavan R - Round(el)/Ring(let) Conclusion Index
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