Ungoverning Dance examines recent contemporary dance in continental Europe. Placing this in the context of neoliberalism and austerity, it argues that dancers are developing an ethico-aesthetic approach that uses dance practices as sites of resistance against dominant ideologies. It attests to the persistence of alternative ways of thinking and living.
Ungoverning Dance examines recent contemporary dance in continental Europe. Placing this in the context of neoliberalism and austerity, it argues that dancers are developing an ethico-aesthetic approach that uses dance practices as sites of resistance against dominant ideologies. It attests to the persistence of alternative ways of thinking and living.
Ramsay Burt is Professor of Dance History at De Montfort University, UK. With Susan Foster, he is founder editor of Discourses in Dance. In 1999 he was Visiting Professor at the Department of Performance Studies, New York University. Since 2008 he has been a regular visiting teacher at PARTS in Brussels. In 2010 he was Professeur Invité at l'Université de Nice Sophia-Antipolis. In 2013-2014, with Professor Christy Adair, he undertook a two year funded research project into British Dance and the African Diaspora which culminated in an exhibition at the International Slavery Museum in Liverpool.
Inhaltsangabe
Acknowledgments Chapter 1. Contemporary dance and the commons Chapter 2. Transatlantic comparisons Chapter 3. Rethinking virtuosity Chapter 4. Dance and post-fordism Chapter 5. Responsible for laughter Chapter 6. Alone to the world: the solo dancer Chapter 7. Performing friendship Chapter 8. Responsibility without obligation, dancing relationality Chapter 9. History and collective memory in contemporary dance. Chapter 10. Memory, imagination, and the virtual in dance. Chapter 11. Conclusion: keywords Bibliography Index
Acknowledgments Chapter 1. Contemporary dance and the commons Chapter 2. Transatlantic comparisons Chapter 3. Rethinking virtuosity Chapter 4. Dance and post-fordism Chapter 5. Responsible for laughter Chapter 6. Alone to the world: the solo dancer Chapter 7. Performing friendship Chapter 8. Responsibility without obligation, dancing relationality Chapter 9. History and collective memory in contemporary dance. Chapter 10. Memory, imagination, and the virtual in dance. Chapter 11. Conclusion: keywords Bibliography Index
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