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Lisbon, late 1940s. The inhabitants of a faded apartment building are struggling to make ends meet: Silvestre the cobbler and his wife take in a disaffected young lodger; Dona Ldia, who used to work the streets, is now kept by a businessman with a roving eye. The cultivated family of Dona Cndida, come down in the world, keep to themselves with their books and music. Emilio the humble salesman has a Spanish wife who's in a permanent rage; Claudinha the beautiful young typist has a boss who lusts for her; Justina and her womanizer husband live at war with each other. Happy marriages, abusive…mehr

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Produktbeschreibung
Lisbon, late 1940s. The inhabitants of a faded apartment building are struggling to make ends meet: Silvestre the cobbler and his wife take in a disaffected young lodger; Dona Ldia, who used to work the streets, is now kept by a businessman with a roving eye. The cultivated family of Dona Cndida, come down in the world, keep to themselves with their books and music. Emilio the humble salesman has a Spanish wife who's in a permanent rage; Claudinha the beautiful young typist has a boss who lusts for her; Justina and her womanizer husband live at war with each other. Happy marriages, abusive relationships, jealousy, gossip, love--Skylight is a portrait of ordinary people painted by the master of the quotidian, a great observer of the immense beauty and profound hardship of the modern world.
Autorenporträt
José Saramago is one of the most important international writers of the last hundred years. Born in Portugal in 1922, he was in his sixties when he came to prominence as a writer with the publication of Baltasar and Blimunda. A huge body of work followed, translated into more than forty languages, and in 1998 he was awarded the Nobel Prize in Literature. Saramago died in June 2010.
Rezensionen
A fluid and imaginative translation by Margaret Jull Costa... A masterly creation: pessimistic without being bleak, lyrical without being sentimental... Saramago tears back that curtain to reveal not only the stage on which life is performed but also backstage, under unflattering working lights; to show humanity at its most anxious, its most vulnerable and most true James Runcie Independent