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  • Format: ePub

By the bestselling author of The Talented Mr Ripley , Carol and Strangers on a Train
' The setting is Venice, the characterisation brilliant, the style spare and superb' Daily Mail
The honeymoon is over; the bride dead by her own hand. Ray Garrett, the grieving husband, convinces the police in Rome of his innocence, but not his father-in-law, Ed Coleman, who shoots him at point-blank range and leaves him for dead. Ray survives and follows Coleman to Venice, where the two fall into an eerie game of cat-and-mouse - Coleman obsessed with vengeance and Ray determined to save his…mehr

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Produktbeschreibung
By the bestselling author of The Talented Mr Ripley, Carol and Strangers on a Train

'The setting is Venice, the characterisation brilliant, the style spare and superb' Daily Mail

The honeymoon is over; the bride dead by her own hand. Ray Garrett, the grieving husband, convinces the police in Rome of his innocence, but not his father-in-law, Ed Coleman, who shoots him at point-blank range and leaves him for dead. Ray survives and follows Coleman to Venice, where the two fall into an eerie game of cat-and-mouse - Coleman obsessed with vengeance and Ray determined to save his reputation, and himself. Each is at once the hunter and the hunted in a tense duel that, as each manages to walk away, draws them nearer to death.


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Autorenporträt
Patricia Highsmith (1921-1995) was born in Fort Worth, Texas, and moved to New York when she was six. In her senior year, she edited the college magazine, having decided at the age of sixteen to become a writer. Her first novel, Strangers on a Train (1950), was made into a classic film by Alfred Hitchcock in 1951. The Talented Mr Ripley (1955), introduced the fascinating anti-hero Tom Ripley, and was made into an Oscar-winning film in 1999 by Anthony Minghella. Highsmith died in Locarno, Switzerland, in February 1995. Her last novel, Small g: A Summer Idyll, was published posthumously, the same year.
Rezensionen
Bears Highsmith's unique, unsurpassed mixture of unsettling psychological insights, moods of tension and malice, and an ending of brilliant ambiguity The Times