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Well, the memory seems to be getting rather impaired now, rather weak. What, for instance, was the name of that parson who preached, just before the Boreal set out, about the wickedness of any further attempt to reach the North Pole? I have forgotten! Yet four years ago it was familiar to me as my own name. Things which took place before the voyage seem to be getting a little cloudy in the memory now. I have sat here, in the loggia of this Cornish villa, to write down some sort of account of what has happened-God knows why, since no eye can ever read it-and at the very beginning I cannot remember the parson's name.…mehr

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Produktbeschreibung
Well, the memory seems to be getting rather impaired now, rather weak. What, for instance, was the name of that parson who preached, just before the Boreal set out, about the wickedness of any further attempt to reach the North Pole? I have forgotten! Yet four years ago it was familiar to me as my own name. Things which took place before the voyage seem to be getting a little cloudy in the memory now. I have sat here, in the loggia of this Cornish villa, to write down some sort of account of what has happened-God knows why, since no eye can ever read it-and at the very beginning I cannot remember the parson's name.

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Autorenporträt
Matthew Phipps Shiell (1865 - 1947) - known as M. P. Shiel - was a prolific British writer of West Indian descent. His legal surname remained "Shiell" though he adopted the shorter version as a de facto pen name. He is remembered mostly for supernatural horror and scientific romances. His work was published as serials, novels and as short stories. The Purple Cloud (1901, revised 1929) remains his most famous and often reprinted novel. Around 1899-1900 Shiel conceived a loosely linked trilogy of novels which were described by David G. Hartwell in his introduction to the Gregg Press edition of The Purple Cloud as possibly the first future history series in science fiction. Each was linked by similar introductory frame purporting to show that the novels were visions of progressively more distant futures glimpsed by a clairvoyant in a trance. Notebook I of the series had been plotted at least by 1898, but would not see print until published as The Last Miracle (1906). Notebook II became The Lord of the Sea (1901), which was recognized by contemporary readers as a critique of private ownership of land based on the theories of Henry George.