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Matthew Phipps Shiel (1865-1947), was a prolific British writer of fantastic fiction, remembered mostly for supernatural and scientific romances, published as novels, short stories and as serials. He wrote under the pen name Gordon Holmes. After working as a teacher and translator he broke into the fiction market with a series of short stories published in The Strand and other magazines. His early literary reputation was based on two collections of short stories influenced by Poe published in the Keynote series by John Lane, Prince Zaleski (1895) and Shapes in the Fire (1896), considered by…mehr

Produktbeschreibung
Matthew Phipps Shiel (1865-1947), was a prolific British writer of fantastic fiction, remembered mostly for supernatural and scientific romances, published as novels, short stories and as serials. He wrote under the pen name Gordon Holmes. After working as a teacher and translator he broke into the fiction market with a series of short stories published in The Strand and other magazines. His early literary reputation was based on two collections of short stories influenced by Poe published in the Keynote series by John Lane, Prince Zaleski (1895) and Shapes in the Fire (1896), considered by some critics as the most flamboyant of the English decadent movement. His first novel was The Rajah's Sapphire (1896), based on a plot by William Thomas Stead, who probably hired Shiel to write the novel.
Autorenporträt
Matthew Phipps Shiell (1865 - 1947) - known as M. P. Shiel - was a prolific British writer of West Indian descent. His legal surname remained "Shiell" though he adopted the shorter version as a de facto pen name. He is remembered mostly for supernatural horror and scientific romances. His work was published as serials, novels and as short stories. The Purple Cloud (1901, revised 1929) remains his most famous and often reprinted novel. Around 1899-1900 Shiel conceived a loosely linked trilogy of novels which were described by David G. Hartwell in his introduction to the Gregg Press edition of The Purple Cloud as possibly the first future history series in science fiction. Each was linked by similar introductory frame purporting to show that the novels were visions of progressively more distant futures glimpsed by a clairvoyant in a trance. Notebook I of the series had been plotted at least by 1898, but would not see print until published as The Last Miracle (1906). Notebook II became The Lord of the Sea (1901), which was recognized by contemporary readers as a critique of private ownership of land based on the theories of Henry George.