Philosophy and Film (eBook, ePUB)

Bridging Divides
Redaktion: Rawls, Christina; Gouveia, Steven S.; Neiva, Diana

• Format: ePub

Produktbeschreibung

This book brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 400
• Erscheinungstermin: 25. April 2019
• Englisch
• ISBN-13: 9780429787133
• Artikelnr.: 56515323

Autorenporträt

Christina Rawls is Professor of Philosophy at Roger Williams University, USA Diana Neiva is a Researcher at the Mind, Language, and Action Group of the Institute of Philosophy of the University of Porto, Portugal Steven S. Gouveia is a Ph.D. candidate at the University of Minho, Portugal. He is the co-editor of Perception, Cognition, and Aesthetics (Routledge, 2021)

Inhaltsangabe

Preface
Thomas E. Wartenberg
Part I: The Nature of Film
Chapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in
Analytic Philosophy (of Film)
Malcolm Turvey
Chapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as
the Moving Image of Skepticism
Jônadas Techio
Chapter 3: The Morph-Image: Four Forms of Post-Cinema
Steen Ledet Christiansen
Chapter 4: Deleuze's Cronosigns
Susana Viegas
Part II: The Film as Philosophy Debate
Chapter 5: The Bold Thesis Retired: On Cinema as Philosophy
Paisley Livingston
Chapter 6: Film as Philosophical Thought Experiment: Some Challenges and
Opportunities
Tom McClelland
Chapter 7: Are there Definite Objections to Film as Philosophy?
Metaphilosophical considerations
Diana Neiva
Chapter 8: Philosophical Dimensions of Cinematic Experience
David Davies
Part III: The Philosophical Value of Film
Chapter 9: Philosophical Experience and Experimental Film
Christopher Falzon
Chapter 10: Filmmaking as self-writing: Federico Fellini's 8¿ (1963)
Roberto Mordacci
Chapter 11: Film and Ethics
Robert Sinnerbrink
Part IV: Cinematic Experience
Chapter 12: Movies, Narration and the Emotions
Noël Carroll
Chapter 13: Predictive Processing and the Experimental Solution for the
Paradox of Fiction
Dina Mendonça
Chapter 14: The lived experience of Motion Pictures: A Phenomenological
Approach to Cinema
Hanna Trindade
Part V: Interpreting Cinematic Works
Chapter 15: The Blade Runner Question: From Philosophy to Myth
Deborah Knight
Chapter 16: Race, Bodies and Lived Realities in Get Out and Black Panther
Mary K. Bloodsworth-Lugo
Chapter 17: Transnational Bio-Political Motives in Postmodern Cinema: iek
and Badiou on Udi Aloni's Forgiveness and Local Angel
Oana Serban
Part VI: Further Debates
Chapter 18: Cinema and Television: The Art and Industry of Joint Works
Inês Rebanda Coelho
Chapter 19: Towards a Natural Screen Philosophy
Hunter Vaughn
Chapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From
Somewhere
John Ó Maoilearca