This book brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy.
This book brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy.
Christina Rawls is Professor of Philosophy at Roger Williams University, USA Diana Neiva is a Researcher at the Mind, Language, and Action Group of the Institute of Philosophy of the University of Porto, Portugal Steven S. Gouveia is a Ph.D. candidate at the University of Minho, Portugal. He is the co-editor of Perception, Cognition, and Aesthetics (Routledge, 2021)
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Preface Thomas E. Wartenberg Part I: The Nature of Film Chapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film) Malcolm Turvey Chapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of Skepticism Jônadas Techio Chapter 3: The Morph-Image: Four Forms of Post-Cinema Steen Ledet Christiansen Chapter 4: Deleuze's Cronosigns Susana Viegas Part II: The Film as Philosophy Debate Chapter 5: The Bold Thesis Retired: On Cinema as Philosophy Paisley Livingston Chapter 6: Film as Philosophical Thought Experiment: Some Challenges and Opportunities Tom McClelland Chapter 7: Are there Definite Objections to Film as Philosophy? Metaphilosophical considerations Diana Neiva Chapter 8: Philosophical Dimensions of Cinematic Experience David Davies Part III: The Philosophical Value of Film Chapter 9: Philosophical Experience and Experimental Film Christopher Falzon Chapter 10: Filmmaking as self-writing: Federico Fellini's 8¿ (1963) Roberto Mordacci Chapter 11: Film and Ethics Robert Sinnerbrink Part IV: Cinematic Experience Chapter 12: Movies, Narration and the Emotions Noël Carroll Chapter 13: Predictive Processing and the Experimental Solution for the Paradox of Fiction Dina Mendonça Chapter 14: The lived experience of Motion Pictures: A Phenomenological Approach to Cinema Hanna Trindade Part V: Interpreting Cinematic Works Chapter 15: The Blade Runner Question: From Philosophy to Myth Deborah Knight Chapter 16: Race, Bodies and Lived Realities in Get Out and Black Panther Mary K. Bloodsworth-Lugo Chapter 17: Transnational Bio-Political Motives in Postmodern Cinema: iek and Badiou on Udi Aloni's Forgiveness and Local Angel Oana Serban Part VI: Further Debates Chapter 18: Cinema and Television: The Art and Industry of Joint Works Inês Rebanda Coelho Chapter 19: Towards a Natural Screen Philosophy Hunter Vaughn Chapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From Somewhere John Ó Maoilearca
Preface Thomas E. Wartenberg Part I: The Nature of Film Chapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film) Malcolm Turvey Chapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of Skepticism Jônadas Techio Chapter 3: The Morph-Image: Four Forms of Post-Cinema Steen Ledet Christiansen Chapter 4: Deleuze's Cronosigns Susana Viegas Part II: The Film as Philosophy Debate Chapter 5: The Bold Thesis Retired: On Cinema as Philosophy Paisley Livingston Chapter 6: Film as Philosophical Thought Experiment: Some Challenges and Opportunities Tom McClelland Chapter 7: Are there Definite Objections to Film as Philosophy? Metaphilosophical considerations Diana Neiva Chapter 8: Philosophical Dimensions of Cinematic Experience David Davies Part III: The Philosophical Value of Film Chapter 9: Philosophical Experience and Experimental Film Christopher Falzon Chapter 10: Filmmaking as self-writing: Federico Fellini's 8¿ (1963) Roberto Mordacci Chapter 11: Film and Ethics Robert Sinnerbrink Part IV: Cinematic Experience Chapter 12: Movies, Narration and the Emotions Noël Carroll Chapter 13: Predictive Processing and the Experimental Solution for the Paradox of Fiction Dina Mendonça Chapter 14: The lived experience of Motion Pictures: A Phenomenological Approach to Cinema Hanna Trindade Part V: Interpreting Cinematic Works Chapter 15: The Blade Runner Question: From Philosophy to Myth Deborah Knight Chapter 16: Race, Bodies and Lived Realities in Get Out and Black Panther Mary K. Bloodsworth-Lugo Chapter 17: Transnational Bio-Political Motives in Postmodern Cinema: iek and Badiou on Udi Aloni's Forgiveness and Local Angel Oana Serban Part VI: Further Debates Chapter 18: Cinema and Television: The Art and Industry of Joint Works Inês Rebanda Coelho Chapter 19: Towards a Natural Screen Philosophy Hunter Vaughn Chapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From Somewhere John Ó Maoilearca
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