Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War (eBook, ePUB)

Redaktion: Baumgartner, Michael; Boczkowska, Ewelina

• Format: ePub

Produktbeschreibung

Exploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 322
• Erscheinungstermin: 23. September 2019
• Englisch
• ISBN-13: 9781315298436
• Artikelnr.: 57789752

Autorenporträt

Michael Baumgartner is Associate Professor of Musicology at Cleveland State University. Ewelina Boczkowska is Associate Professor of Musicology at Youngstown State University.

Inhaltsangabe

Part I: Collective Memory and (Trans-)Nation / Chapter 1: A Fanfare
Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch
Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People's
Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's
Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of
Italian Opera-Cultural Memory in Italian and (West) German Films (Roger
Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film,
1945¿80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden
in Plain View: The Music of Holocaust Survival in Poland's First Post-war
Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film
Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The
Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma
in Alain Resnais's Early 1960s Films (Michael Baumgartner and Orlene Denice
McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of
Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns
Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm's Music for
Radetzkymarsch (1965) (Janina Müller and Tobias Plebuch) / Chapter 10: The
Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in
Andrei Tarkovsky's Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin
Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91
(Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and
French Cinematic Illusion in the Post-war Musical Films of René Clair and
Jean Renoir (Hannah Lewis)