Music, Collective Memory, Trauma, and Nostalgia in European Cinema After the Second World War
Herausgeber: Baumgartner, Michael; Boczkowska, Ewelina
Music, Collective Memory, Trauma, and Nostalgia in European Cinema After the Second World War
Herausgeber: Baumgartner, Michael; Boczkowska, Ewelina
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Exploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past.
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Exploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 322
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 435g
- ISBN-13: 9781032088990
- ISBN-10: 1032088990
- Artikelnr.: 62148808
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 322
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 435g
- ISBN-13: 9781032088990
- ISBN-10: 1032088990
- Artikelnr.: 62148808
Michael Baumgartner is Associate Professor of Musicology at Cleveland State University. Ewelina Boczkowska is Associate Professor of Musicology at Youngstown State University.
Part I: Collective Memory and (Trans-)Nation / Chapter 1: A Fanfare
Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch
Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People's
Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's
Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of
Italian Opera-Cultural Memory in Italian and (West) German Films (Roger
Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film,
1945¿80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden
in Plain View: The Music of Holocaust Survival in Poland's First Post-war
Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film
Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The
Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma
in Alain Resnais's Early 1960s Films (Michael Baumgartner and Orlene Denice
McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of
Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns
Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm's Music for
Radetzkymarsch (1965) (Janina Müller and Tobias Plebuch) / Chapter 10: The
Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in
Andrei Tarkovsky's Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin
Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91
(Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and
French Cinematic Illusion in the Post-war Musical Films of René Clair and
Jean Renoir (Hannah Lewis)
Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch
Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People's
Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's
Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of
Italian Opera-Cultural Memory in Italian and (West) German Films (Roger
Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film,
1945¿80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden
in Plain View: The Music of Holocaust Survival in Poland's First Post-war
Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film
Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The
Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma
in Alain Resnais's Early 1960s Films (Michael Baumgartner and Orlene Denice
McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of
Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns
Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm's Music for
Radetzkymarsch (1965) (Janina Müller and Tobias Plebuch) / Chapter 10: The
Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in
Andrei Tarkovsky's Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin
Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91
(Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and
French Cinematic Illusion in the Post-war Musical Films of René Clair and
Jean Renoir (Hannah Lewis)
Part I: Collective Memory and (Trans-)Nation / Chapter 1: A Fanfare
Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch
Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People's
Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's
Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of
Italian Opera-Cultural Memory in Italian and (West) German Films (Roger
Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film,
1945¿80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden
in Plain View: The Music of Holocaust Survival in Poland's First Post-war
Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film
Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The
Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma
in Alain Resnais's Early 1960s Films (Michael Baumgartner and Orlene Denice
McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of
Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns
Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm's Music for
Radetzkymarsch (1965) (Janina Müller and Tobias Plebuch) / Chapter 10: The
Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in
Andrei Tarkovsky's Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin
Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91
(Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and
French Cinematic Illusion in the Post-war Musical Films of René Clair and
Jean Renoir (Hannah Lewis)
Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch
Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People's
Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's
Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of
Italian Opera-Cultural Memory in Italian and (West) German Films (Roger
Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film,
1945¿80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden
in Plain View: The Music of Holocaust Survival in Poland's First Post-war
Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film
Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The
Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma
in Alain Resnais's Early 1960s Films (Michael Baumgartner and Orlene Denice
McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of
Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns
Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm's Music for
Radetzkymarsch (1965) (Janina Müller and Tobias Plebuch) / Chapter 10: The
Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in
Andrei Tarkovsky's Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin
Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91
(Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and
French Cinematic Illusion in the Post-war Musical Films of René Clair and
Jean Renoir (Hannah Lewis)