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London incessantly generates and incites cultural responses, pre-eminently in the interconnected domains of literature and film. This book demonstrates that those responses have been sustained as vital experiments and engagements in configuring the city and its inhabitants. Including essays by prominent cultural, literary and film historians this volume forms an original and incisive contribution to ongoing debates about the city's intricate cultural history and its construction through both language and image, as a crucial site of identity, desire, exile and displacement.
London incessantly generates and incites cultural responses, pre-eminently in the interconnected domains of literature and film. This book demonstrates that those responses have been sustained as vital experiments and engagements in configuring the city and its inhabitants. Including essays by prominent cultural, literary and film historians this volume forms an original and incisive contribution to ongoing debates about the city's intricate cultural history and its construction through both language and image, as a crucial site of identity, desire, exile and displacement.
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Stephen Barber is a Professor of Media Arts at Kingston University. His most recent publications include The Vanishing Map (Berg, 2006), Hijikata (Creation, 2006) and The Art of Destruction (Creation 2004). He has been awarded international prizes and awards for his work by the Rockefeller Foundation, the Getty Program, the Ford Foundation, the DAAD Berlin Artists and Writers Programme, the Annenberg Foundation, the Leverhulme Trust, the Japan Foundation, the British Academy, the Daiwa Foundation, the Saison Foundation, and the London Arts Board.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction Gail Cunningham PART I: VICTORIAN AND EDWARDIAN LONDON ON THE PAGE Introduction Gail Cunningham Chapter 1. London Commuting: Suburb and City, the Quotidian Frontier Gail Cunningham Chapter 2. John Thomson's London in Photographs Lindsay Smith Chapter 3. Displacing Urban Man: Sherlock Holmes's London Andrew Smith Chapter 4. Aestheticism 'At Home' in London: A. Mary F. Robinson and the Aesthetic Sect Ana Parejo Vadillo Chapter 5. 'There's more space within than without': Agoraphobia and the Bildungsroman in Dorothy Richardson's Pilgrimage Deborah Parsons Chapter 6. The Aesthetics of Walking: Literary and Filmic Representations of London in Joseph Conrad's The Secret Agent Roger Webster PART II: THE MODERN AGE: LONDON IN IMAGE Introduction Stephen Barber Chapter 7. An Indescribable Blur: Film and London Stephen Barber Chapter 8. Shutting Out the City: Reflections on the Portrayal of London in 1960s Auteur Cinema Hugo Frey Chapter 9. London circa Sixty-six: The Map of the Film Roland-François Lack Chapter 10. Representations of Dystopia and the Film City of London Sara de Freitas Chapter 11. Poodle Queens and the Great Dark Lad: Class, Masculinity and Suburban Trajectories in Gay London Martin Dines Chapter 12. Coda: What Colour Is Time? Derek Jarman's Soho Jeremy Reed Notes on Contributors Bibliography Filmography Index
List of Illustrations Acknowledgements Introduction Gail Cunningham PART I: VICTORIAN AND EDWARDIAN LONDON ON THE PAGE Introduction Gail Cunningham Chapter 1. London Commuting: Suburb and City, the Quotidian Frontier Gail Cunningham Chapter 2. John Thomson's London in Photographs Lindsay Smith Chapter 3. Displacing Urban Man: Sherlock Holmes's London Andrew Smith Chapter 4. Aestheticism 'At Home' in London: A. Mary F. Robinson and the Aesthetic Sect Ana Parejo Vadillo Chapter 5. 'There's more space within than without': Agoraphobia and the Bildungsroman in Dorothy Richardson's Pilgrimage Deborah Parsons Chapter 6. The Aesthetics of Walking: Literary and Filmic Representations of London in Joseph Conrad's The Secret Agent Roger Webster PART II: THE MODERN AGE: LONDON IN IMAGE Introduction Stephen Barber Chapter 7. An Indescribable Blur: Film and London Stephen Barber Chapter 8. Shutting Out the City: Reflections on the Portrayal of London in 1960s Auteur Cinema Hugo Frey Chapter 9. London circa Sixty-six: The Map of the Film Roland-François Lack Chapter 10. Representations of Dystopia and the Film City of London Sara de Freitas Chapter 11. Poodle Queens and the Great Dark Lad: Class, Masculinity and Suburban Trajectories in Gay London Martin Dines Chapter 12. Coda: What Colour Is Time? Derek Jarman's Soho Jeremy Reed Notes on Contributors Bibliography Filmography Index
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