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Changing Cultural Tastes offers a critical survey of the taste wars fought over the past two centuries between the intellectual establishment and the common people in Germany. It charts the uneasy relationship of high and popular culture in Germany in the modern era. The impact of National Socialism and the strong influence from Great Britain and the United States are assessed in this cultural history of a changing nation and society. The period 1920-1980 is given special prominence, and the work of significant writers and artists such as Josef von Sternberg and Bertolt Brecht, Elfriede…mehr
Changing Cultural Tastes offers a critical survey of the taste wars fought over the past two centuries between the intellectual establishment and the common people in Germany. It charts the uneasy relationship of high and popular culture in Germany in the modern era. The impact of National Socialism and the strong influence from Great Britain and the United States are assessed in this cultural history of a changing nation and society. The period 1920-1980 is given special prominence, and the work of significant writers and artists such as Josef von Sternberg and Bertolt Brecht, Elfriede Jelinek and Rolf Dieter Brinkmann, Erwin Piscator and Heinrich Böll, is closely analysed. Their work has reflected changing tastes and, crucially, helped to make taste more pluralistic and democratic.
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Anthony Waine teaches German and European Studies at Lancaster University, specialising in courses on the cultural history of the twentieth century. His previous publications include Martin Walser: The Development as Dramatist 1950 - 1970; Martin Walser (Autorenbuch); Brecht in Perspective and Culture and Society in the GDR (both co-edited with Graham Bartram). He has also taught at Hamburg University and Wadham College, Oxford, and was awarded the Pilkington Prize for Teaching Excellence in 2000.
Inhaltsangabe
Foreword Acknowledgements Chapter 1. Between 'Volk', 'Kitsch' and 'Pop': A Question of Vocabulary The Fatal Ambivalence of 'Volk' Defining Tastes Looking Down on the Street Expressing 'Free Time' Filling Cultural and Linguistic Vacuums Conclusion Chapter 2. Changing Values: The Intelligentsia, 'Kultur' and The People Church Roots Till Eulenspiegel - An Early Modern Bestseller New Channels of Public Information The Origins of a New Science A Science of the Nation Decontaminating the Science of a People Conclusion Chapter 3. The Weimar Republic and the Revolt against Good Taste and the Great Tradition Turning against Tradition The Opera of the Street - Die Dreigroschenoper Optical Words - Piscator's Global Theatre The Fatal Attractions of Low Culture - Der Blaue Engel Popular Culture as a Panacea - Der Steppenwolf Conclusion Chapter 4. Democratic Compassion for 'Der kleine Mann' A Culture about Ordinary People The Challenge to the German Novelist between 1919 and 1979 Petit Bourgeois Powerlessness and its Consequences Gender and Strength Power to the Popular Structures of Feeling Conclusion Chapter 5. The Erotic and the Pornographic between High and Low The Coming of Pop Post-War Roads to Freedom The Transatlantic Battle against Taboos Rolf Dieter Brinkmann's New Credo A Marxist Meditation on the Mass Media - Elfriede Jelinek's Die Liebhaberinnen An Ethnology of Subterranean Gay Hamburg - Hubert Fichte's Die Palette Conclusion Chapter 6. The Metropolitan Muse The Anglo-German Connection The Rolling Stones, and London's West End Betwixt Pop and Beat Piccadilly Circus - The Symbolic Site of Big City Life Conclusion Chapter 7. 'Wicked, Addicted, Free': The Lure and Lore of the USA The Cool War Old World versus New World The Beat Generation and its Early Reception The American-German Identity The Americanised Imagination Conclusion Chapter 8. Moods and Morals in the Age of Popular Culture Beckett and After Post-Brechtian Theatre Bauer's Cultural Analysis Anatomical Cycles and Bad Tastes Conclusion: New Ethical Perspectives Chapter 9. Conclusion: The Democratisation and Pluralisation of Taste Germany's Political and Cultural Shifts The Dialectic between Difficult and Simple Art Popular Culture and Alltagskultur : A Difference of Language? Glossary Bibliography Index
Foreword Acknowledgements Chapter 1. Between 'Volk', 'Kitsch' and 'Pop': A Question of Vocabulary The Fatal Ambivalence of 'Volk' Defining Tastes Looking Down on the Street Expressing 'Free Time' Filling Cultural and Linguistic Vacuums Conclusion Chapter 2. Changing Values: The Intelligentsia, 'Kultur' and The People Church Roots Till Eulenspiegel - An Early Modern Bestseller New Channels of Public Information The Origins of a New Science A Science of the Nation Decontaminating the Science of a People Conclusion Chapter 3. The Weimar Republic and the Revolt against Good Taste and the Great Tradition Turning against Tradition The Opera of the Street - Die Dreigroschenoper Optical Words - Piscator's Global Theatre The Fatal Attractions of Low Culture - Der Blaue Engel Popular Culture as a Panacea - Der Steppenwolf Conclusion Chapter 4. Democratic Compassion for 'Der kleine Mann' A Culture about Ordinary People The Challenge to the German Novelist between 1919 and 1979 Petit Bourgeois Powerlessness and its Consequences Gender and Strength Power to the Popular Structures of Feeling Conclusion Chapter 5. The Erotic and the Pornographic between High and Low The Coming of Pop Post-War Roads to Freedom The Transatlantic Battle against Taboos Rolf Dieter Brinkmann's New Credo A Marxist Meditation on the Mass Media - Elfriede Jelinek's Die Liebhaberinnen An Ethnology of Subterranean Gay Hamburg - Hubert Fichte's Die Palette Conclusion Chapter 6. The Metropolitan Muse The Anglo-German Connection The Rolling Stones, and London's West End Betwixt Pop and Beat Piccadilly Circus - The Symbolic Site of Big City Life Conclusion Chapter 7. 'Wicked, Addicted, Free': The Lure and Lore of the USA The Cool War Old World versus New World The Beat Generation and its Early Reception The American-German Identity The Americanised Imagination Conclusion Chapter 8. Moods and Morals in the Age of Popular Culture Beckett and After Post-Brechtian Theatre Bauer's Cultural Analysis Anatomical Cycles and Bad Tastes Conclusion: New Ethical Perspectives Chapter 9. Conclusion: The Democratisation and Pluralisation of Taste Germany's Political and Cultural Shifts The Dialectic between Difficult and Simple Art Popular Culture and Alltagskultur : A Difference of Language? Glossary Bibliography Index
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