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This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries.
This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries.
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Ariane Hudelet is Associate Professor at Université de Paris (LARCA/CNRS), where she teaches English literature and Visual Culture. After working on film adaptations, she has devoted her most recent research to contemporary TV dramas, from an aesthetic and cultural perspective, and is co-editor of the online journal TV/Series. Anne Crémieux is Associate Professor of American studies at Université Paris Nanterre (CREA). She has published books, articles and book chapters on the representation of minorities in cinema and television.
Inhaltsangabe
Introduction: Cinematic, Televisual or Post-Serialities Ariane Hudelet and Anne Crémieux Part 1: Serial Specifities 1. Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008 Felix Brinker and Ilka Brasch 2. Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions E. Deidre Pribram 3. The Cinematic-Televisual: Rethinking Medium Specificity in Television's New Golden Age C.E. Harris Part 2: Marketing Seriality 4. A Forgotten Episode in the History of Hollywood Cinema, Television and Seriality: The Case of the Mirisch Company Paul Kerr 5. Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images Chloé Monasterolo 6. Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle Agnieszka Rasmus Part 3: Seriality and the Cinematic/Televisual Convergence 7. The (Re)Making of a Serial Killer: Replaying, "Preplaying" and Rewriting Hitchcock's Psycho in the Series Bates Motel Dennis Tredy 8. Fargo (FX, 2014-) and Cinema: "Just Like in the Movie"? Sylvaine Bataille 9. Screening Dreams: Twin Peaks, from the Series to the Film, back again and beyond Sarah Hatchuel Part 4: Meta-Serialities 10. In-between Still and Moving Pictures: Series and Seriality in Stephen Poliakoff's Serial Drama Shooting the Past (1999) Nicole Cloarec 11. "The Abominable Bride" (Douglas Mackinnon, 2016): Sherlock and Seriality Christophe Gelly 12. Subject Positions and Seriality in The Good Wife Samuel Chambers
Introduction: Cinematic, Televisual or Post-Serialities Ariane Hudelet and Anne Crémieux Part 1: Serial Specifities 1. Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008 Felix Brinker and Ilka Brasch 2. Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions E. Deidre Pribram 3. The Cinematic-Televisual: Rethinking Medium Specificity in Television's New Golden Age C.E. Harris Part 2: Marketing Seriality 4. A Forgotten Episode in the History of Hollywood Cinema, Television and Seriality: The Case of the Mirisch Company Paul Kerr 5. Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images Chloé Monasterolo 6. Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle Agnieszka Rasmus Part 3: Seriality and the Cinematic/Televisual Convergence 7. The (Re)Making of a Serial Killer: Replaying, "Preplaying" and Rewriting Hitchcock's Psycho in the Series Bates Motel Dennis Tredy 8. Fargo (FX, 2014-) and Cinema: "Just Like in the Movie"? Sylvaine Bataille 9. Screening Dreams: Twin Peaks, from the Series to the Film, back again and beyond Sarah Hatchuel Part 4: Meta-Serialities 10. In-between Still and Moving Pictures: Series and Seriality in Stephen Poliakoff's Serial Drama Shooting the Past (1999) Nicole Cloarec 11. "The Abominable Bride" (Douglas Mackinnon, 2016): Sherlock and Seriality Christophe Gelly 12. Subject Positions and Seriality in The Good Wife Samuel Chambers
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