Exploring Seriality on Screen
Audiovisual Narratives in Film and Television
Herausgeber: Hudelet, Ariane; Crémieux, Anne
Exploring Seriality on Screen
Audiovisual Narratives in Film and Television
Herausgeber: Hudelet, Ariane; Crémieux, Anne
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This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries.
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This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries.
Produktdetails
- Produktdetails
- Routledge Research in Cultural and Media Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 270
- Erscheinungstermin: 1. August 2022
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 586g
- ISBN-13: 9780367491475
- ISBN-10: 0367491478
- Artikelnr.: 65932581
- Routledge Research in Cultural and Media Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 270
- Erscheinungstermin: 1. August 2022
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 586g
- ISBN-13: 9780367491475
- ISBN-10: 0367491478
- Artikelnr.: 65932581
Ariane Hudelet is Associate Professor at Université de Paris (LARCA/CNRS), where she teaches English literature and Visual Culture. After working on film adaptations, she has devoted her most recent research to contemporary TV dramas, from an aesthetic and cultural perspective, and is co-editor of the online journal TV/Series. Anne Crémieux is Associate Professor of American studies at Université Paris Nanterre (CREA). She has published books, articles and book chapters on the representation of minorities in cinema and television.
Introduction: Cinematic, Televisual or Post-Serialities
Ariane Hudelet and Anne Crémieux
Part 1: Serial Specifities
1. Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in
Serial Cinema, 1936-2008
Felix Brinker and Ilka Brasch
2. Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic
Mode, and Emotions
E. Deidre Pribram
3. The Cinematic-Televisual: Rethinking Medium Specificity in Television's
New Golden Age
C.E. Harris
Part 2: Marketing Seriality
4. A Forgotten Episode in the History of Hollywood Cinema, Television and
Seriality: The Case of the Mirisch Company
Paul Kerr
5. Diversions in the Hunger Games Film Series: The Fragmented Narrative of
Hijacked Images
Chloé Monasterolo
6. Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle
Agnieszka Rasmus
Part 3: Seriality and the Cinematic/Televisual Convergence
7. The (Re)Making of a Serial Killer: Replaying, "Preplaying" and Rewriting
Hitchcock's Psycho in the Series Bates Motel
Dennis Tredy
8. Fargo (FX, 2014-) and Cinema: "Just Like in the Movie"?
Sylvaine Bataille
9. Screening Dreams: Twin Peaks, from the Series to the Film, back again
and beyond
Sarah Hatchuel
Part 4: Meta-Serialities
10. In-between Still and Moving Pictures: Series and Seriality in Stephen
Poliakoff's Serial Drama Shooting the Past (1999)
Nicole Cloarec
11. "The Abominable Bride" (Douglas Mackinnon, 2016): Sherlock and
Seriality
Christophe Gelly
12. Subject Positions and Seriality in The Good Wife
Samuel Chambers
Ariane Hudelet and Anne Crémieux
Part 1: Serial Specifities
1. Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in
Serial Cinema, 1936-2008
Felix Brinker and Ilka Brasch
2. Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic
Mode, and Emotions
E. Deidre Pribram
3. The Cinematic-Televisual: Rethinking Medium Specificity in Television's
New Golden Age
C.E. Harris
Part 2: Marketing Seriality
4. A Forgotten Episode in the History of Hollywood Cinema, Television and
Seriality: The Case of the Mirisch Company
Paul Kerr
5. Diversions in the Hunger Games Film Series: The Fragmented Narrative of
Hijacked Images
Chloé Monasterolo
6. Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle
Agnieszka Rasmus
Part 3: Seriality and the Cinematic/Televisual Convergence
7. The (Re)Making of a Serial Killer: Replaying, "Preplaying" and Rewriting
Hitchcock's Psycho in the Series Bates Motel
Dennis Tredy
8. Fargo (FX, 2014-) and Cinema: "Just Like in the Movie"?
Sylvaine Bataille
9. Screening Dreams: Twin Peaks, from the Series to the Film, back again
and beyond
Sarah Hatchuel
Part 4: Meta-Serialities
10. In-between Still and Moving Pictures: Series and Seriality in Stephen
Poliakoff's Serial Drama Shooting the Past (1999)
Nicole Cloarec
11. "The Abominable Bride" (Douglas Mackinnon, 2016): Sherlock and
Seriality
Christophe Gelly
12. Subject Positions and Seriality in The Good Wife
Samuel Chambers
Introduction: Cinematic, Televisual or Post-Serialities
Ariane Hudelet and Anne Crémieux
Part 1: Serial Specifities
1. Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in
Serial Cinema, 1936-2008
Felix Brinker and Ilka Brasch
2. Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic
Mode, and Emotions
E. Deidre Pribram
3. The Cinematic-Televisual: Rethinking Medium Specificity in Television's
New Golden Age
C.E. Harris
Part 2: Marketing Seriality
4. A Forgotten Episode in the History of Hollywood Cinema, Television and
Seriality: The Case of the Mirisch Company
Paul Kerr
5. Diversions in the Hunger Games Film Series: The Fragmented Narrative of
Hijacked Images
Chloé Monasterolo
6. Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle
Agnieszka Rasmus
Part 3: Seriality and the Cinematic/Televisual Convergence
7. The (Re)Making of a Serial Killer: Replaying, "Preplaying" and Rewriting
Hitchcock's Psycho in the Series Bates Motel
Dennis Tredy
8. Fargo (FX, 2014-) and Cinema: "Just Like in the Movie"?
Sylvaine Bataille
9. Screening Dreams: Twin Peaks, from the Series to the Film, back again
and beyond
Sarah Hatchuel
Part 4: Meta-Serialities
10. In-between Still and Moving Pictures: Series and Seriality in Stephen
Poliakoff's Serial Drama Shooting the Past (1999)
Nicole Cloarec
11. "The Abominable Bride" (Douglas Mackinnon, 2016): Sherlock and
Seriality
Christophe Gelly
12. Subject Positions and Seriality in The Good Wife
Samuel Chambers
Ariane Hudelet and Anne Crémieux
Part 1: Serial Specifities
1. Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in
Serial Cinema, 1936-2008
Felix Brinker and Ilka Brasch
2. Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic
Mode, and Emotions
E. Deidre Pribram
3. The Cinematic-Televisual: Rethinking Medium Specificity in Television's
New Golden Age
C.E. Harris
Part 2: Marketing Seriality
4. A Forgotten Episode in the History of Hollywood Cinema, Television and
Seriality: The Case of the Mirisch Company
Paul Kerr
5. Diversions in the Hunger Games Film Series: The Fragmented Narrative of
Hijacked Images
Chloé Monasterolo
6. Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle
Agnieszka Rasmus
Part 3: Seriality and the Cinematic/Televisual Convergence
7. The (Re)Making of a Serial Killer: Replaying, "Preplaying" and Rewriting
Hitchcock's Psycho in the Series Bates Motel
Dennis Tredy
8. Fargo (FX, 2014-) and Cinema: "Just Like in the Movie"?
Sylvaine Bataille
9. Screening Dreams: Twin Peaks, from the Series to the Film, back again
and beyond
Sarah Hatchuel
Part 4: Meta-Serialities
10. In-between Still and Moving Pictures: Series and Seriality in Stephen
Poliakoff's Serial Drama Shooting the Past (1999)
Nicole Cloarec
11. "The Abominable Bride" (Douglas Mackinnon, 2016): Sherlock and
Seriality
Christophe Gelly
12. Subject Positions and Seriality in The Good Wife
Samuel Chambers