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&quote;There never was anybody,&quote; wrote the Spectator, &quote;who had adventures as well as Miss Bird.&quote; In Among the Tibetans you can see why, as Isabella Lucy Bird writes of her journey through the Himalayas on horseback and of her four months of living with &quote;the pleasantest of people.&quote; She offers evocative and colourful descriptions of Tibetan rituals and culture, along with vivid descriptions of its villages, monasteries, temples and palaces. &quote;Up to Kargil the scenery, though growing more Tibetan with every march, had exhibited at intervals some traces of…mehr

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Produktbeschreibung
"e;There never was anybody,"e; wrote the Spectator, "e;who had adventures as well as Miss Bird."e; In Among the Tibetans you can see why, as Isabella Lucy Bird writes of her journey through the Himalayas on horseback and of her four months of living with "e;the pleasantest of people."e; She offers evocative and colourful descriptions of Tibetan rituals and culture, along with vivid descriptions of its villages, monasteries, temples and palaces. "e;Up to Kargil the scenery, though growing more Tibetan with every march, had exhibited at intervals some traces of natural verdure; but beyond, after leaving the Suru, there is not a green thing, and on the next march the road crosses a lofty, sandy plateau, on which the heat was terrible - blazing gravel and a blazing heaven, then fiery cliffs and scorched hillsides, then a deep ravine and the large village of Paskim (dominated by a fort-crowned rock), and some planted and irrigated acres; then a narrow ravine and magnificent scenery flaming with colour, which opens out after some miles on a burning chaos of rocks and sand, mountain-girdled, and on some remarkable dwellings on a steep slope, with religious buildings singularly painted. This is Shergol, the first village of Buddhists, and there I was 'among the Tibetans.'"e;

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Autorenporträt
Isabella L. Bird, a pioneering explorer and travel writer in the nineteenth century, wrote her masterwork "The Golden Chersonese and the Way Thither," which exemplifies her adventurous spirit and strong observation skills. This travelogue follows her voyage around the Malay Peninsula, painting a rich picture of the region's landscapes, cultures, and people. Bird's narrative transports readers to the difficult terrain of the Malay Peninsula, where she travels through dense jungles, navigates perilous rivers, and encounters a variety of creatures. Her interactions with indigenous peoples provide insights into their habits, traditions, and way of life, enhancing the narrative with personal interest and cultural depth. As an experienced traveler, Bird's work is distinguished by its descriptive richness and acute attention to detail. She catches the soul of each location she visits, building vivid pictures with her words and transporting readers to faraway places. Beyond its travelogue components, "The Golden Chersonese" is a historical source that provides unique insights into British colonial development in Southeast Asia during the late nineteenth century. Bird's reflections on colonialism's impact on indigenous cultures deepen the tale, pushing readers to consider questions of power, privilege, and cultural exchange.