Among the Tibetans - Bird, Isabella L.
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Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The first view, and indeed the whole view of this temple of Wrath or Justice, was suggestive of a frightful Inferno, with its rows of demon gods, hideous beyond Western conception, engaged in torturing writhing and bleeding specimens of humanity. Demon masks of ancient lacquer hung from the pillars, naked swords…mehr

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Produktbeschreibung
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The first view, and indeed the whole view of this temple of Wrath or Justice, was suggestive of a frightful Inferno, with its rows of demon gods, hideous beyond Western conception, engaged in torturing writhing and bleeding specimens of humanity. Demon masks of ancient lacquer hung from the pillars, naked swords gleamed in motionless hands, and in a deep recess whose 'darkness' was rendered 'visible' by one lamp, was that indescribable horror the executioner of the Lord of Hell, his many brandished arms holding instruments of torture, and before him the bell, the thunderbolt and sceptre, the holy water, and the baptismal flagon. Our joss sticks fumed on the still air, monks waved censers, and blasts of dissonant music woke the semi-subterranean echoes. In this temple of Justice the younger lamas spend some hours daily in the supposed contemplation of the torments reserved for the unholy. In the highest temple, that of Peace, the summer sunshine fell on Shakya Thubba and the Buddhist triad seated in endless serenity. The walls were covered with frescoes of great lamas, and a series of alcoves, each with an image representing an incarnation of Buddha, ran round the temple. In a chapel full of monstrous images and piles of medallions made of the ashes of 'holy' men, the sub abbot was discoursing to the acolytes on the religious classics.
Autorenporträt
Isabella L. Bird, a pioneering explorer and travel writer in the nineteenth century, wrote her masterwork "The Golden Chersonese and the Way Thither," which exemplifies her adventurous spirit and strong observation skills. This travelogue follows her voyage around the Malay Peninsula, painting a rich picture of the region's landscapes, cultures, and people. Bird's narrative transports readers to the difficult terrain of the Malay Peninsula, where she travels through dense jungles, navigates perilous rivers, and encounters a variety of creatures. Her interactions with indigenous peoples provide insights into their habits, traditions, and way of life, enhancing the narrative with personal interest and cultural depth. As an experienced traveler, Bird's work is distinguished by its descriptive richness and acute attention to detail. She catches the soul of each location she visits, building vivid pictures with her words and transporting readers to faraway places. Beyond its travelogue components, "The Golden Chersonese" is a historical source that provides unique insights into British colonial development in Southeast Asia during the late nineteenth century. Bird's reflections on colonialism's impact on indigenous cultures deepen the tale, pushing readers to consider questions of power, privilege, and cultural exchange.