Women Writing Trauma in the Global South explores complex suffering in the work of Aminatta Forna, Isabel Allende and Anuradha Roy while dismantling conceptual shortcomings underlying trauma theory. It develops new ideas for an inclusive conceptual expansion of trauma from the global peripheries.
Women Writing Trauma in the Global South explores complex suffering in the work of Aminatta Forna, Isabel Allende and Anuradha Roy while dismantling conceptual shortcomings underlying trauma theory. It develops new ideas for an inclusive conceptual expansion of trauma from the global peripheries.
Annemarie Pabel is an independent researcher with a PhD in English literature. Her research interests include trauma studies and women's writing.
Inhaltsangabe
Chapter One: Introduction - Concepts and Contexts of Psychological Wounding Canonical Cultural Trauma Theory and Emerging Critical Perspectives The Case for a Reconceptualization of Trauma Wound Narratives from the Global South Chapter Two: Aminatta Forna Fictional Representations of Traumatic Disintegration in The Memory of Love Prolonged and Insidious Trauma in The Devil that Danced on the Water Narrative Critique of the PTSD Category in Happiness Narrative Negotiations of a Context-specific Trauma Model Complicated Witnessing in The Devil that Danced on the Water 1. Unempathic Gazing and Professional Witnessing in Happiness Post-traumatic Resilience in Happiness Chapter Three: Isabel Allende Writing during Trauma in Paula Fictional Representations of Childhood Trauma in Portrait in Sepia Inscriptions of Trauma in Landscape: Exile and Mental Dislocation Resurfacing Wounds in Storytelling Epistolary Narration in Articulating Bereavement Magical Realist Elements in Representing the Unspeakable Photography as a Testimonial Practice in Portrait in Sepia Narrating 'Belonging' in My Invented Country Chapter Four: Anuradha Roy Fictional Representations of Prolonged Childhood Violence Topographic and Architectural Manifestations of Traumatic Unhomeliness in An Atlas of Impossible Longing Familial Disintegration and Unhomeliness Self-Awareness and Transgression of Forms in Articulating Trauma Epistolary Elements and Narrative Authority Chapter Five Conclusion - Connecting Trauma Narratives in the Global South Inscriptions of Complex Wounds Towards Conceptual Inclusivity
Chapter One: Introduction - Concepts and Contexts of Psychological Wounding Canonical Cultural Trauma Theory and Emerging Critical Perspectives The Case for a Reconceptualization of Trauma Wound Narratives from the Global South Chapter Two: Aminatta Forna Fictional Representations of Traumatic Disintegration in The Memory of Love Prolonged and Insidious Trauma in The Devil that Danced on the Water Narrative Critique of the PTSD Category in Happiness Narrative Negotiations of a Context-specific Trauma Model Complicated Witnessing in The Devil that Danced on the Water 1. Unempathic Gazing and Professional Witnessing in Happiness Post-traumatic Resilience in Happiness Chapter Three: Isabel Allende Writing during Trauma in Paula Fictional Representations of Childhood Trauma in Portrait in Sepia Inscriptions of Trauma in Landscape: Exile and Mental Dislocation Resurfacing Wounds in Storytelling Epistolary Narration in Articulating Bereavement Magical Realist Elements in Representing the Unspeakable Photography as a Testimonial Practice in Portrait in Sepia Narrating 'Belonging' in My Invented Country Chapter Four: Anuradha Roy Fictional Representations of Prolonged Childhood Violence Topographic and Architectural Manifestations of Traumatic Unhomeliness in An Atlas of Impossible Longing Familial Disintegration and Unhomeliness Self-Awareness and Transgression of Forms in Articulating Trauma Epistolary Elements and Narrative Authority Chapter Five Conclusion - Connecting Trauma Narratives in the Global South Inscriptions of Complex Wounds Towards Conceptual Inclusivity
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