This study explores more recent adaptations published in the last decade whereby women-either authors or their characters-talk back to Shakespeare in a variety of new ways.
This study explores more recent adaptations published in the last decade whereby women-either authors or their characters-talk back to Shakespeare in a variety of new ways.
Jo Eldridge Carney is a Professor of English at The College of New Jersey where she teaches courses in early modern studies, folk and fairy tales, and contemporary literature.
Inhaltsangabe
0. Introduction 1 Toni Morrison and Rokia Traoré's Desdemona and William Shakespeare's Othello 2. Elizabeth Nunez's Prospero's Daughter and William Shakespeare's The Tempest 3. Margaret Atwood's Hag-Seed and William Shakespeare's The Tempest 4. Jeanette Winterson's The Gap of Time and William Shakespeare's The Winter's Tale 5. Mark Haddon's The Porpoise and William Shakespeare's Pericles 6. Emily St. John Mandel's Station Eleven and William Shakespeare's King Lear 7. Maggie O'Farrell's Hamnet and Shakespeare's Family in Fact and Fiction
0. Introduction 1 Toni Morrison and Rokia Traoré's Desdemona and William Shakespeare's Othello 2. Elizabeth Nunez's Prospero's Daughter and William Shakespeare's The Tempest 3. Margaret Atwood's Hag-Seed and William Shakespeare's The Tempest 4. Jeanette Winterson's The Gap of Time and William Shakespeare's The Winter's Tale 5. Mark Haddon's The Porpoise and William Shakespeare's Pericles 6. Emily St. John Mandel's Station Eleven and William Shakespeare's King Lear 7. Maggie O'Farrell's Hamnet and Shakespeare's Family in Fact and Fiction
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
