Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions.
Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions.
Marie Buscatto is Professor in Sociology at the University of Paris 1 Panthéon-Sorbonne in Paris, France.
Inhaltsangabe
1. A saturated and hierarchized professional world PART ONE: Jazz singer: Such a "feminine" job 2. Vocal jazz, commercial jazz, gendered jazz 3. So "feminine" in such a "masculine" world 4. The voice is not an instrument 5. An irresistible "feminine" seduction 6. Amateur vocal jams: An illusory gendered transgression? PART TWO: Some "great chicks" 7. Very "well-endowed" young women 8. Difficult access to stable working networks 9. Women in a man's world: Reconciling the irreconcilable? 10. Managing one's "femininity" in public: Disparagement, neutrality or seduction?
1. A saturated and hierarchized professional world PART ONE: Jazz singer: Such a "feminine" job 2. Vocal jazz, commercial jazz, gendered jazz 3. So "feminine" in such a "masculine" world 4. The voice is not an instrument 5. An irresistible "feminine" seduction 6. Amateur vocal jams: An illusory gendered transgression? PART TWO: Some "great chicks" 7. Very "well-endowed" young women 8. Difficult access to stable working networks 9. Women in a man's world: Reconciling the irreconcilable? 10. Managing one's "femininity" in public: Disparagement, neutrality or seduction?
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