This comparative analysis on the range of jazz scenes and cultures offers a detailed evaluation as to why jazz diplomacy succeeded in certain countries and periods, but failed in others. Furthering our understanding of the organic relationship between jazz and global politics, Saito re-evaluates jazz as an exclusively 'American music'.
This comparative analysis on the range of jazz scenes and cultures offers a detailed evaluation as to why jazz diplomacy succeeded in certain countries and periods, but failed in others. Furthering our understanding of the organic relationship between jazz and global politics, Saito re-evaluates jazz as an exclusively 'American music'.
Acknowledgements Abbreviations Introduction 1 The genealogy of "American music" 2 The scene changes in postwar jazz politics 3 Jazz ambassadors revisited 4 The politics behind the selection process 5 Anti-Americanism in the Western jazz discourse 6 Containing the Soviet jazz scene 7 Contesting discourses in East European jazz scenes 8 Making jazz great again Conclusion Bibliography Index
Acknowledgements Abbreviations Introduction 1 The genealogy of "American music" 2 The scene changes in postwar jazz politics 3 Jazz ambassadors revisited 4 The politics behind the selection process 5 Anti-Americanism in the Western jazz discourse 6 Containing the Soviet jazz scene 7 Contesting discourses in East European jazz scenes 8 Making jazz great again Conclusion Bibliography Index
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