Where Sight Meets Sound - Zazulia, Emily (Assistant Professor, Assistant Professor, University
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Late-medieval composers delighted in complicating the relationship between their music's written and sung forms, often tasking singers with reading their music in unusual ways-from slowing down a melodic line, to turning it backwards or upside down, even omitting certain notes or rests. These manipulations increasingly yielded music that was aurally all but unrecognizable as a derivative of the notated original. This book uses these unorthodox applications of notation to understand how late-medieval composers thought about the tool of musical notation. It argues that these compositions…mehr

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Produktbeschreibung
Late-medieval composers delighted in complicating the relationship between their music's written and sung forms, often tasking singers with reading their music in unusual ways-from slowing down a melodic line, to turning it backwards or upside down, even omitting certain notes or rests. These manipulations increasingly yielded music that was aurally all but unrecognizable as a derivative of the notated original. This book uses these unorthodox applications of notation to understand how late-medieval composers thought about the tool of musical notation. It argues that these compositions foreground notation in ways that resonate with discourses about media and technology today.
Autorenporträt
Emily Zazulia is Assistant Professor at the University of California, Berkeley, where she holds the Shirley Shenker Chair in the Arts and Humanities. She has published widely on medieval and Renaissance music, particularly concerning the intersection of complex notation, musical style, and intellectual history. Her research has received support from the National Endowment for the Humanities, the American Council of Learned Societies, the American Musicological Society, the Renaissance Society of America, and the Hellman Foundation.