Sound Design is the New Score explores the new trend of blurring the line between score and sound design which has transformed contemporary film soundscape by rejecting the conventions of classical scoring and challenging the modes of perception it shaped.
Sound Design is the New Score explores the new trend of blurring the line between score and sound design which has transformed contemporary film soundscape by rejecting the conventions of classical scoring and challenging the modes of perception it shaped.
Danijela Kulezic-Wilson teaches film music, film sound, and intermedia at University College Cork. Her research interests include approaches to film that emphasize its inherent musical properties, the musicality of sound design, and musical aspects of Beckett's plays. She is the author of The Musicality of Narrative Film (2015) and co-editor of The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (2016).
Inhaltsangabe
* Acknowledgments * 1. Introduction * 2. "The Most Beautiful Area": Soundtrack's Liminal Spaces * 3. Scoring with Sound, the Aesthetics of Reticence, and Films of Peter Strickland * 4. Musicalized Sound Design and the Erotics of Cinema * 5. The Musicalization of Speech and the Breakdown of the Film Soundtrack Hierarchy * 6. Concluding Thoughts * Bibliography * Index
* Acknowledgments * 1. Introduction * 2. "The Most Beautiful Area": Soundtrack's Liminal Spaces * 3. Scoring with Sound, the Aesthetics of Reticence, and Films of Peter Strickland * 4. Musicalized Sound Design and the Erotics of Cinema * 5. The Musicalization of Speech and the Breakdown of the Film Soundtrack Hierarchy * 6. Concluding Thoughts * Bibliography * Index
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