Wayfinding and Critical Autoethnography
Herausgeber: Iosefo, Fetaui; Harris, Anne; Holman Jones, Stacy
Wayfinding and Critical Autoethnography
Herausgeber: Iosefo, Fetaui; Harris, Anne; Holman Jones, Stacy
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Wayfinding and Critical Autoethnography is the first critical autoethnography compilation from the global south, bringing together indigenous, non-indigenous, Pasifika, and other diverse voices which expand established understandings of autoethnography as a critical, creative methodology.
Andere Kunden interessierten sich auch für
- Critical Autoethnography and Intercultural Learning58,99 €
- Indranil ChakrabortyInvisible Labour58,99 €
- Ian BrackenUrban Planning Methods67,99 €
- Sergei KapitsaParadox of Growth23,99 €
- S. MilesMetropolitan Problems29,99 €
- Caroline New (ed.)Making Realism Work74,99 €
- Sara DelamontEthnographic Engagements55,99 €
-
-
-
Wayfinding and Critical Autoethnography is the first critical autoethnography compilation from the global south, bringing together indigenous, non-indigenous, Pasifika, and other diverse voices which expand established understandings of autoethnography as a critical, creative methodology.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 218
- Erscheinungstermin: 6. November 2020
- Englisch
- Abmessung: 231mm x 155mm x 15mm
- Gewicht: 376g
- ISBN-13: 9780367343798
- ISBN-10: 0367343797
- Artikelnr.: 59992198
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 218
- Erscheinungstermin: 6. November 2020
- Englisch
- Abmessung: 231mm x 155mm x 15mm
- Gewicht: 376g
- ISBN-13: 9780367343798
- ISBN-10: 0367343797
- Artikelnr.: 59992198
Fetaui Iosefo is the daughter of Sua Muamai Vui Siope and Fuimaono Luse Vui Siope. She is a Professional Teaching Fellow and doctoral candidate in Critical Studies at the University of Auckland at the Manukau campus, New Zealand. Stacy Holman Jones is Professor and Director of the Centre for Theatre and Performance at Monash University in Melbourne, Australia. Her research focuses broadly on performance as socially, culturally, and politically resistive and transformative activity. She specializes in critical qualitative methods, particularly critical autoethnography and critical and feminist theory. Anne Harris is Associate Professor, Principal Research Fellow (RMIT University), and Australian Research Council Future Fellow at RMIT University in Melbourne, Australia. Anne writes and researches in the areas of critical autoethnography, education, gender, creativity, and creative methods. Anne is the Director of Creative Agency (www.creativeresearchhub.com).
Preface: Stars and stones in Aotearoa. Introduction: Critical
Autoethnography and/as Wayfinding in the Global South. Section 1: Wayfaring
and wayfinding indigeneity in the academy. Chapter 1: Wayfinding as
Pasifika, Indigenous and critical autoethnographic knowledge. Chapter 2:
Wayfinding Kurahuna. Chapter 3: Wayfinding with aiga (family) - Aiga saili
manuia: Family in (re)search of peace. Chapter 4: Wayfinding and
decolonising time: Talanoa, activism, and critical autoethnography.
Chapter 5: Critical autoethnographic encounters in the moana: Wayfinding
the intersections of to'utangata Tonga and indigenous masculinities.
Section 2: Wayfinding and way-fairness in the digital age. Chapter 6: The
crooked room: Intersectional tap dancing, academic performing, and
negotiating black, woman, immigrant. Chapter 7: The neighbourhood(s) inside
me: Telling stories of (un)belonging, (im)mobility, temporality and places
. Chapter 8: Oceania resistance: Digital autoethnography in the Marianas
Archipelago. Chapter 9: Uncovering a performative black feminist
wayfinding. Section 3: Wayfinding in the liminal spaces. Chapter 10:
Almost always clouds: stitching a map of belonging. Chapter 11: The North
Star & the Southern Cross, Chapter 12: Retracing the footprints of a family
of teacher wayfinders Chapter 13: Poet tree: A poetic exploration of an
immigrant's journey.
Autoethnography and/as Wayfinding in the Global South. Section 1: Wayfaring
and wayfinding indigeneity in the academy. Chapter 1: Wayfinding as
Pasifika, Indigenous and critical autoethnographic knowledge. Chapter 2:
Wayfinding Kurahuna. Chapter 3: Wayfinding with aiga (family) - Aiga saili
manuia: Family in (re)search of peace. Chapter 4: Wayfinding and
decolonising time: Talanoa, activism, and critical autoethnography.
Chapter 5: Critical autoethnographic encounters in the moana: Wayfinding
the intersections of to'utangata Tonga and indigenous masculinities.
Section 2: Wayfinding and way-fairness in the digital age. Chapter 6: The
crooked room: Intersectional tap dancing, academic performing, and
negotiating black, woman, immigrant. Chapter 7: The neighbourhood(s) inside
me: Telling stories of (un)belonging, (im)mobility, temporality and places
. Chapter 8: Oceania resistance: Digital autoethnography in the Marianas
Archipelago. Chapter 9: Uncovering a performative black feminist
wayfinding. Section 3: Wayfinding in the liminal spaces. Chapter 10:
Almost always clouds: stitching a map of belonging. Chapter 11: The North
Star & the Southern Cross, Chapter 12: Retracing the footprints of a family
of teacher wayfinders Chapter 13: Poet tree: A poetic exploration of an
immigrant's journey.
Preface: Stars and stones in Aotearoa. Introduction: Critical
Autoethnography and/as Wayfinding in the Global South. Section 1: Wayfaring
and wayfinding indigeneity in the academy. Chapter 1: Wayfinding as
Pasifika, Indigenous and critical autoethnographic knowledge. Chapter 2:
Wayfinding Kurahuna. Chapter 3: Wayfinding with aiga (family) - Aiga saili
manuia: Family in (re)search of peace. Chapter 4: Wayfinding and
decolonising time: Talanoa, activism, and critical autoethnography.
Chapter 5: Critical autoethnographic encounters in the moana: Wayfinding
the intersections of to'utangata Tonga and indigenous masculinities.
Section 2: Wayfinding and way-fairness in the digital age. Chapter 6: The
crooked room: Intersectional tap dancing, academic performing, and
negotiating black, woman, immigrant. Chapter 7: The neighbourhood(s) inside
me: Telling stories of (un)belonging, (im)mobility, temporality and places
. Chapter 8: Oceania resistance: Digital autoethnography in the Marianas
Archipelago. Chapter 9: Uncovering a performative black feminist
wayfinding. Section 3: Wayfinding in the liminal spaces. Chapter 10:
Almost always clouds: stitching a map of belonging. Chapter 11: The North
Star & the Southern Cross, Chapter 12: Retracing the footprints of a family
of teacher wayfinders Chapter 13: Poet tree: A poetic exploration of an
immigrant's journey.
Autoethnography and/as Wayfinding in the Global South. Section 1: Wayfaring
and wayfinding indigeneity in the academy. Chapter 1: Wayfinding as
Pasifika, Indigenous and critical autoethnographic knowledge. Chapter 2:
Wayfinding Kurahuna. Chapter 3: Wayfinding with aiga (family) - Aiga saili
manuia: Family in (re)search of peace. Chapter 4: Wayfinding and
decolonising time: Talanoa, activism, and critical autoethnography.
Chapter 5: Critical autoethnographic encounters in the moana: Wayfinding
the intersections of to'utangata Tonga and indigenous masculinities.
Section 2: Wayfinding and way-fairness in the digital age. Chapter 6: The
crooked room: Intersectional tap dancing, academic performing, and
negotiating black, woman, immigrant. Chapter 7: The neighbourhood(s) inside
me: Telling stories of (un)belonging, (im)mobility, temporality and places
. Chapter 8: Oceania resistance: Digital autoethnography in the Marianas
Archipelago. Chapter 9: Uncovering a performative black feminist
wayfinding. Section 3: Wayfinding in the liminal spaces. Chapter 10:
Almost always clouds: stitching a map of belonging. Chapter 11: The North
Star & the Southern Cross, Chapter 12: Retracing the footprints of a family
of teacher wayfinders Chapter 13: Poet tree: A poetic exploration of an
immigrant's journey.