Awam Ampka is currently Associate Professor of Drama at the Tisch School of the Arts, New York University. He trained in Nigeria under Wole Soyinka and completed a PhD in Drama at the University of Bristol. He is the author of critical essays, plays (Not in my Season of Songs; Ajasco), director of film documentaries (Winds Against Our Souls; It's All About Downtown; National Images/Transnational Desires) and the feature film Wazabia.
Inhaltsangabe
Introduction: Colonial Modernity, Postcolonial Desires and a Cultural Practice Nigeria 1. Wole Soyinka: Theatre, Mythology and Political Activism 2. Femi Osofisan: Theatre, Nation and the Revolutionary Ideal 3. Tess Onwueme: Theatre, Gender and Power 4. Yoruba Travelling Theatres: Popular Theatre and Searches for Postcolonial Subjectivity 5. Theatre, Democracy and Community Development: Ahmadu Bello University and the Nigerian Popular Theatre Alliance England 6. John Arden: Dramatizing the Colonial Nation 7. David Edgar: Theatre and Decolonizing Identities 8. Caryl Churchill: Decolonizing Gender and Class 9. Monstrosities, Deviants and Darkies: Monstrous Regiment, Gay Sweatshop and Black Theatres in England Conclusion Notes
Introduction: Colonial Modernity, Postcolonial Desires and a Cultural Practice Nigeria 1. Wole Soyinka: Theatre, Mythology and Political Activism 2. Femi Osofisan: Theatre, Nation and the Revolutionary Ideal 3. Tess Onwueme: Theatre, Gender and Power 4. Yoruba Travelling Theatres: Popular Theatre and Searches for Postcolonial Subjectivity 5. Theatre, Democracy and Community Development: Ahmadu Bello University and the Nigerian Popular Theatre Alliance England 6. John Arden: Dramatizing the Colonial Nation 7. David Edgar: Theatre and Decolonizing Identities 8. Caryl Churchill: Decolonizing Gender and Class 9. Monstrosities, Deviants and Darkies: Monstrous Regiment, Gay Sweatshop and Black Theatres in England Conclusion Notes
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