to name only a sampling. Including coverage of the highly performative political activities of organizations such as ACT-UP and Greenpeace, the public spectacle of Abbie Hoffman's political radicalism, and the writings of Tolstoy, this is truly a new kind of primer for the study of politics and performance. "Radical Street Performance" is an inspirational testimony to this international performance tradition, and a valuable record of a form of theater that continues to flourish in an increasingly apolitical and televisual age. Contributors: Eugenio Barba, Augusto Boal, Dwight Conquergood,…mehr
to name only a sampling. Including coverage of the highly performative political activities of organizations such as ACT-UP and Greenpeace, the public spectacle of Abbie Hoffman's political radicalism, and the writings of Tolstoy, this is truly a new kind of primer for the study of politics and performance. "Radical Street Performance" is an inspirational testimony to this international performance tradition, and a valuable record of a form of theater that continues to flourish in an increasingly apolitical and televisual age. Contributors: Eugenio Barba, Augusto Boal, Dwight Conquergood, Abbie Hoffman, Baz Kershaw, Nellie Richard, Richard Schechner, Diana Taylor, Ngugi wa Thiong'o, David Welch.
General introduction 1: Peter Handke Part One: Agit-Prop 1: Introduction 2: Introduction by Vladimir Tolstoy Documents Edited by Vladimir Tolstoy, Irina Bibikova And Catherine Cooke 3: Edgar Snow 4: Safdar Hashmi 5: Suzanne Lacy and Leslie Labowitz 6: Alisa Solomon 7: Dubravka Knezevic Part Two: Witness 2: Introduction 8: Steven Durland 9: Diana Taylor 10: Marguerite Waller 11: Jan Cohen-Cruz 12: Dan Sullivan 13: Sudipto Chatterjee 14: Hollis Giammatteo Part Three: Integration 3: Introduction 15: Augusto Boal 16: Adrian Piper 17: Lauren Berlant and Elizabeth Freeman 18: from THE DIMENSION OF SOCIAL EXTERIORITY IN THE PRODUCTION 19: Living on the Street 20: from TAKING DIRECT ACTION Part Four: Utopia 4: Introduction 21: from Triumph Des Willens (Triumph of the Will, 1935) 22: Notes on Political Street Theatre, Paris 23: from Letter from the South of Italy 24: America has more Television Sets than Toilets 25: from The Street is the Stages 26: from The Celebratory Performance of John fox and Welfare State International Part Five: Tradition 5: Introduction 27: Health Theatre in a Hmong Refugee Camp 28: Communal Space and Performance in Africa 29: from The Language of African Theatre 30: from EL Teatro Campesino and the Mexican Popular Performance Tradition 31: The Taumbayan as Epic Hero,the Audience as Community 32: A Queer Circus Amok in New York 33: Louder than Traffic Bread and Puppet Parades 34: Notes toward an Unwritten History of Anti-apartheid Street Performance
General introduction 1: Peter Handke Part One: Agit-Prop 1: Introduction 2: Introduction by Vladimir Tolstoy Documents Edited by Vladimir Tolstoy, Irina Bibikova And Catherine Cooke 3: Edgar Snow 4: Safdar Hashmi 5: Suzanne Lacy and Leslie Labowitz 6: Alisa Solomon 7: Dubravka Knezevic Part Two: Witness 2: Introduction 8: Steven Durland 9: Diana Taylor 10: Marguerite Waller 11: Jan Cohen-Cruz 12: Dan Sullivan 13: Sudipto Chatterjee 14: Hollis Giammatteo Part Three: Integration 3: Introduction 15: Augusto Boal 16: Adrian Piper 17: Lauren Berlant and Elizabeth Freeman 18: from THE DIMENSION OF SOCIAL EXTERIORITY IN THE PRODUCTION 19: Living on the Street 20: from TAKING DIRECT ACTION Part Four: Utopia 4: Introduction 21: from Triumph Des Willens (Triumph of the Will, 1935) 22: Notes on Political Street Theatre, Paris 23: from Letter from the South of Italy 24: America has more Television Sets than Toilets 25: from The Street is the Stages 26: from The Celebratory Performance of John fox and Welfare State International Part Five: Tradition 5: Introduction 27: Health Theatre in a Hmong Refugee Camp 28: Communal Space and Performance in Africa 29: from The Language of African Theatre 30: from EL Teatro Campesino and the Mexican Popular Performance Tradition 31: The Taumbayan as Epic Hero,the Audience as Community 32: A Queer Circus Amok in New York 33: Louder than Traffic Bread and Puppet Parades 34: Notes toward an Unwritten History of Anti-apartheid Street Performance
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