The aim of this Companion volume is to provide scholars and advanced graduate students with a comprehensive and authoritative review of current research work on Anglo-Italian Renaissance studies. Written by a team of international scholars and experts in the field, the chapters are grouped into two large areas of influence and intertextuality.
The aim of this Companion volume is to provide scholars and advanced graduate students with a comprehensive and authoritative review of current research work on Anglo-Italian Renaissance studies. Written by a team of international scholars and experts in the field, the chapters are grouped into two large areas of influence and intertextuality.
Michele Marrapodi is a Full Professor of English Literature at the University of Palermo, Italy. He is General Editor of the 'Anglo-Italian Renaissance Studies' series. His most recent edited volumes include Shakespeare's Italy (1993), The Italian World of English Renaissance Drama (1998), Italian Studies in Shakespeare and His Contemporaries (1999), Shakespeare, Italy, and Intertextuality (2004), Italian Culture in the Drama of Shakespeare and His Contemporaries (2007), Shakespeare and Renaissance Literary Theories (2011), Shakespeare and the Italian Renaissance (2014), and Shakespeare and the Visual Arts: The Italian Influence (2017).
Inhaltsangabe
Acknowledgements Introduction Michele Marrapodi Past, present, and future in Anglo-Italian renaissance studies: i. Back to the past. Forward to the present ii. Italy as a stage iii. Ideology and politics in Italianate revenge drama iv. Critical approaches to Italian literature and culture v. Prospects of future developments vi. This volume: Part one vii. This volume: Part two PART I: Italian literature and culture 1. Dante's Vita Nuova and Petrarchismo: A Critical Review of Contemporary Scholarship Marco Andreacchio 2. Boccaccio's Decameron and Theatricality Janet Levarie Smarr 3. Commedia erudita: Birth and Transfiguration Louise George Clubb 4. Machiavelli's comedies of "virtù" Duncan Salkeld 5. Senecan Tragedy in the English Renaissance Mario Domenichelli 6. Masters of civility: Castiglione's Courtier, Della Casa's Galateo, and Guazzo's Civil Conversation in early modern England Cathy L. Shrank 7. "Did Ariosto write it?" - The Orlando Furioso in Elizabethan poetry Selene Scarsi 8. The Italian comici and commedia dell'arte Richard Andrews 9. Giordano Bruno in England. From London to Rome Gilberto Sacerdoti 10. Italian Pastoral Tragicomedy and English Early Modern Drama Robert Henke 11. The Pastoral Poem and Novel Jane Tylus 12. "Oh that we had such an English Tasso": Tasso in English Poetry and Drama to 1700 Jason Lawrence PART II: Appropriations and ideologies 13. Petrarch in England John Roe 14. The Novella and the Art of Story-Telling in the Anglo-Italian Renaissance Melissa Walter 15. Shakespeare and the Arts of Painting and Music Duncan Salkeld 16. 'Absolute Castilio'? The Reputation and Reception of Castiglione's Book of the Courtier in Elizabethan England Mary Partridge 17. Machiavelli's Principe and the New Ethics of Power Alessandra Petrina 18. 'Boying their greatness': Transnational Effects of the Italian Divas on the Shakespearean Stage Rosalind Kerr 19. Commedia dell'arte in Early Modern English Drama Eric Nicholson 20. The Scholarship of Italian and English Renaissance Festivals J. R. Mulryne 21. John Florio and the Circulation of Italian Culture Michael Wyatt 22. Heretics, Translators, Intelligencers: Italian Reformers in Tudor England Diego Pirillo 23. Italy, Printing industry, and the cultural market in Elizabethan England Mario Domenichelli 24. Anglo-Venetian Networks. Paolo Sarpi in Early Modern England Chiara Petrolini and Diego Pirillo Afterword Loc
Acknowledgements Introduction Michele Marrapodi Past, present, and future in Anglo-Italian renaissance studies: i. Back to the past. Forward to the present ii. Italy as a stage iii. Ideology and politics in Italianate revenge drama iv. Critical approaches to Italian literature and culture v. Prospects of future developments vi. This volume: Part one vii. This volume: Part two PART I: Italian literature and culture 1. Dante's Vita Nuova and Petrarchismo: A Critical Review of Contemporary Scholarship Marco Andreacchio 2. Boccaccio's Decameron and Theatricality Janet Levarie Smarr 3. Commedia erudita: Birth and Transfiguration Louise George Clubb 4. Machiavelli's comedies of "virtù" Duncan Salkeld 5. Senecan Tragedy in the English Renaissance Mario Domenichelli 6. Masters of civility: Castiglione's Courtier, Della Casa's Galateo, and Guazzo's Civil Conversation in early modern England Cathy L. Shrank 7. "Did Ariosto write it?" - The Orlando Furioso in Elizabethan poetry Selene Scarsi 8. The Italian comici and commedia dell'arte Richard Andrews 9. Giordano Bruno in England. From London to Rome Gilberto Sacerdoti 10. Italian Pastoral Tragicomedy and English Early Modern Drama Robert Henke 11. The Pastoral Poem and Novel Jane Tylus 12. "Oh that we had such an English Tasso": Tasso in English Poetry and Drama to 1700 Jason Lawrence PART II: Appropriations and ideologies 13. Petrarch in England John Roe 14. The Novella and the Art of Story-Telling in the Anglo-Italian Renaissance Melissa Walter 15. Shakespeare and the Arts of Painting and Music Duncan Salkeld 16. 'Absolute Castilio'? The Reputation and Reception of Castiglione's Book of the Courtier in Elizabethan England Mary Partridge 17. Machiavelli's Principe and the New Ethics of Power Alessandra Petrina 18. 'Boying their greatness': Transnational Effects of the Italian Divas on the Shakespearean Stage Rosalind Kerr 19. Commedia dell'arte in Early Modern English Drama Eric Nicholson 20. The Scholarship of Italian and English Renaissance Festivals J. R. Mulryne 21. John Florio and the Circulation of Italian Culture Michael Wyatt 22. Heretics, Translators, Intelligencers: Italian Reformers in Tudor England Diego Pirillo 23. Italy, Printing industry, and the cultural market in Elizabethan England Mario Domenichelli 24. Anglo-Venetian Networks. Paolo Sarpi in Early Modern England Chiara Petrolini and Diego Pirillo Afterword Loc
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