In this interdisciplinary book, scholars from English literature, Italian studies, performance history, and comparative literature offer new perspectives on the engagements between Shakespeare and Italian theatre, literary culture, and politics, from the 16th to the 21stcentury. Essays address how the artistic and intellectual culture of Renaissance Italy shaped Shakespeare's drama in his own time, and how the afterlife of Shakespeare in Italy has permeated Italian drama, poetry, opera, novels, and film. This book moves beyond conventional source study and familiar questions about influence,…mehr
In this interdisciplinary book, scholars from English literature, Italian studies, performance history, and comparative literature offer new perspectives on the engagements between Shakespeare and Italian theatre, literary culture, and politics, from the 16th to the 21stcentury. Essays address how the artistic and intellectual culture of Renaissance Italy shaped Shakespeare's drama in his own time, and how the afterlife of Shakespeare in Italy has permeated Italian drama, poetry, opera, novels, and film. This book moves beyond conventional source study and familiar questions about influence, location, and adaptation to propose a new, evolving paradigm of cultural interchange.
Enza De Francisci is Lecturer in Translation Studies at the University of Glasgow. Chris Stamatakis is Lecturer in English at University College London, UK.
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CONTENTS Acknowledgements Notes on Contributors Foreword, Susan Bassnett Introduction, Enza De Francisci and Chris Stamatakis PART I: Early Modern Period Dialogues and Networks 1. Shakespeare, Florio, and Love's Labour's Lost Giulia Harding and Chris Stamatakis 2. A Tale of Two Tamings: Reading the Early Modern Shrew Debate from a Feminist Transnationalist Perspective Celia R. Caputi 3. Shakespeare and the Commedia dell'Arte Robert Henke 4. The Unfinished in Michelangelo and Othello Rocco Coronato 5. Shakespeare and Italian Republicanism John Drakakis 6. "A kind of conquest": The Erotics and Aesthetics of Italy in Cymbeline Subha Mukherji PART II: Eighteenth And Nineteenth Centuries Translation and Collaboration 7. The Eighteenth-Century Reception of Shakespeare: Translations and Adaptations for Italian Audiences Sandra Pietrini 8. Shakespeare's Reception in Nineteenth-Century Italy: Giulio Carcano's Translation of Macbeth Giovanna Buonanno 9. Verdi's Shakespeare: Musical Translations and Authenticity René Weis 10. Eleonora Duse as Juliet and Cleopatra Anna Sica 11. Representations of Italy in the First Hebrew Translations of Shakespeare Lily Kahn 12. Through the Fickle Glass: Rewriting and Rethinking Shakespeare's Sonnets in Italy Matteo Brera PART III: Twentieth Century To The Present Originality and Ownership 13. Giovanni Grasso: The Other Othello in London Enza De Francisci 14. Shakespeare, Vittorini, and the Anti-Fascist Struggle Enrica Maria Ferrara 15. Hamlet's ghost: The Rewriting of Shakespeare in C. E. Gadda Giuseppe Stellardi 16. "The rest which is not silence": Shakespeare and Eugenio Montale Camilla Caporicci 17. Giorgio Strehler's Il gioco dei potenti: A Shakespearean Master finds his Voice Mace Perlman 18. Shakespeare behind Italian Bars: The Rebibbia Project, The Tempest, and Caesar must die Mariangela Tempera 19. Shakespeare, Tradition, and the Avant-garde in Chiara Guidi's Macbeth su Macbeth su Macbeth Sonia Massai and Chiara Guidi Afterword: Shakespeare, an infinite stage Paolo Puppa Index
CONTENTS Acknowledgements Notes on Contributors Foreword, Susan Bassnett Introduction, Enza De Francisci and Chris Stamatakis PART I: Early Modern Period Dialogues and Networks 1. Shakespeare, Florio, and Love's Labour's Lost Giulia Harding and Chris Stamatakis 2. A Tale of Two Tamings: Reading the Early Modern Shrew Debate from a Feminist Transnationalist Perspective Celia R. Caputi 3. Shakespeare and the Commedia dell'Arte Robert Henke 4. The Unfinished in Michelangelo and Othello Rocco Coronato 5. Shakespeare and Italian Republicanism John Drakakis 6. "A kind of conquest": The Erotics and Aesthetics of Italy in Cymbeline Subha Mukherji PART II: Eighteenth And Nineteenth Centuries Translation and Collaboration 7. The Eighteenth-Century Reception of Shakespeare: Translations and Adaptations for Italian Audiences Sandra Pietrini 8. Shakespeare's Reception in Nineteenth-Century Italy: Giulio Carcano's Translation of Macbeth Giovanna Buonanno 9. Verdi's Shakespeare: Musical Translations and Authenticity René Weis 10. Eleonora Duse as Juliet and Cleopatra Anna Sica 11. Representations of Italy in the First Hebrew Translations of Shakespeare Lily Kahn 12. Through the Fickle Glass: Rewriting and Rethinking Shakespeare's Sonnets in Italy Matteo Brera PART III: Twentieth Century To The Present Originality and Ownership 13. Giovanni Grasso: The Other Othello in London Enza De Francisci 14. Shakespeare, Vittorini, and the Anti-Fascist Struggle Enrica Maria Ferrara 15. Hamlet's ghost: The Rewriting of Shakespeare in C. E. Gadda Giuseppe Stellardi 16. "The rest which is not silence": Shakespeare and Eugenio Montale Camilla Caporicci 17. Giorgio Strehler's Il gioco dei potenti: A Shakespearean Master finds his Voice Mace Perlman 18. Shakespeare behind Italian Bars: The Rebibbia Project, The Tempest, and Caesar must die Mariangela Tempera 19. Shakespeare, Tradition, and the Avant-garde in Chiara Guidi's Macbeth su Macbeth su Macbeth Sonia Massai and Chiara Guidi Afterword: Shakespeare, an infinite stage Paolo Puppa Index
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