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The rose is a key motif, not just in the culture ofremembrance around the women's concentration campRavensbrück. Already during their imprisonment, the roseplayed a significant role among the women prisoners:whether in drawings, poems, embroidery or on secretly-madegreetings cards, the rose appeared everywhere. It was seenas a sign of friendship, of hope and inner resistance.This book gathers the images and stories regarding rosesthat originated in Ravensbrück before and after 1945. It coversthe genesis of the French Ravensbrück Rose "Résurrection",rituals of commemoration, traditions in…mehr

Produktbeschreibung
The rose is a key motif, not just in the culture ofremembrance around the women's concentration campRavensbrück. Already during their imprisonment, the roseplayed a significant role among the women prisoners:whether in drawings, poems, embroidery or on secretly-madegreetings cards, the rose appeared everywhere. It was seenas a sign of friendship, of hope and inner resistance.This book gathers the images and stories regarding rosesthat originated in Ravensbrück before and after 1945. It coversthe genesis of the French Ravensbrück Rose "Résurrection",rituals of commemoration, traditions in religious and culturalhistory as well as iconographic considerations on the motifof the rose and barbed wire.
Autorenporträt
Insa Eschebach, geb. 1954, Dr. phil., ist Religionswissenschaftlerin und Publizistin in Berlin. Sie arbeitet als wissenschaftliche Mitarbeiterin im Projekt "Strafverfahren gegen das Ravensburger SS-Personal" an der Gedenkstätte Ravensbrück.