The Piazza Tales by Herman Melville, Fiction, Classics, Literary - Melville, Herman
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Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853. Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics. Included in this collection are six tales that range considerably -- from "The Encantadas" (an allegorical travelogue) to the haunting "Bartleby, the Scrivener." Opening the volume is "The Piazza," a pastoral sketch that frames the collection. "Benito…mehr

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Produktbeschreibung
Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853. Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics. Included in this collection are six tales that range considerably -- from "The Encantadas" (an allegorical travelogue) to the haunting "Bartleby, the Scrivener." Opening the volume is "The Piazza," a pastoral sketch that frames the collection. "Benito Cerenno" -- a subversive satire -- it grows out of a true story of mutiny among the enslaved . . .
Autorenporträt
Herman Melville (1819 - 1891) was an American novelist, short story writer and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last thirty years. Herman Melville's writing draws on his experience at sea as a common sailor, exploration of literature and philosophy and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style: the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic and the abundance of allusion extends to scripture, myth, philosophy, literature and the visual arts.
Herman Melville