This book investigates the phenomenon of science communication events as spectacles for legitimizing and communicating science to the public, shedding new light on the ways in which public scientists present knowledge, and the role of bodies, techniques, visuals and objects in the communicative construction of (scientific) reality.
This book investigates the phenomenon of science communication events as spectacles for legitimizing and communicating science to the public, shedding new light on the ways in which public scientists present knowledge, and the role of bodies, techniques, visuals and objects in the communicative construction of (scientific) reality.
Miira B. Hill is a postdoctoral researcher for Media and Communications at the ZeMKI (Center for Media, Communication and Information Research), University of Bremen, Germany.
Inhaltsangabe
1. The Difficulty of Communicating Science to the Public 2. Public Science Communication: From Old Styles to New 3. Developing a Theoretical Framework in Which to Study Science Communication 4. Materials and Methods 5. The Science Slam as Communicative Innovation: How Was the Science Slam Established? 6. Science Slam as a Genre 7. Science Slam in Contemporary Society
1. The Difficulty of Communicating Science to the Public 2. Public Science Communication: From Old Styles to New 3. Developing a Theoretical Framework in Which to Study Science Communication 4. Materials and Methods 5. The Science Slam as Communicative Innovation: How Was the Science Slam Established? 6. Science Slam as a Genre 7. Science Slam in Contemporary Society
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