In The End of Japanese Cinema Alexander Zahlten traces the evolution of a new form of holistic media studies-media ecology-through historical overview and analysis of Japanese film and industry from the 1960s to the 2000s.
In The End of Japanese Cinema Alexander Zahlten traces the evolution of a new form of holistic media studies-media ecology-through historical overview and analysis of Japanese film and industry from the 1960s to the 2000s.
Alexander Zahlten is Associate Professor of East Asian Languages and Civilizations at Harvard University and coeditor of Media Theory in Japan, also published by Duke University Press.
Inhaltsangabe
Acknowledgments vii Introduction 1 1. Establishing Pink Film 25 2. Pink Times and Pink Spaces 63 3. Kadokawa Film 96 4. The Radicalization of Kadokawa Film 122 5. V-Cinema 152 6. Subgenres: Violence, Finances, Sex, and True Accounts 176 Conclusion: Present Histories 204 Notes 225 Bibliography 273 Index 285
Acknowledgments vii Introduction 1 1. Establishing Pink Film 25 2. Pink Times and Pink Spaces 63 3. Kadokawa Film 96 4. The Radicalization of Kadokawa Film 122 5. V-Cinema 152 6. Subgenres: Violence, Finances, Sex, and True Accounts 176 Conclusion: Present Histories 204 Notes 225 Bibliography 273 Index 285
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