Gabriella Lukács traces how young Japanese women's unpaid labor as bloggers, net idols, â girlyâ photographers, online traders, and cell phone novelists was central to the development of Japan's digital economy in the 1990s and 2000s.
Gabriella Lukács traces how young Japanese women's unpaid labor as bloggers, net idols, â girlyâ photographers, online traders, and cell phone novelists was central to the development of Japan's digital economy in the 1990s and 2000s.
Gabriella Lukács is Associate Professor of Anthropology at the University of Pittsburgh and author of Scripted Affects, Branded Selves: Television, Subjectivity, and Capitalism in 1990s Japan, also published by Duke University Press.
Inhaltsangabe
Acknowledgments vii Introduction. Labor and Gender in Japan's Digital Economy 1 1. Disidentifications: Women, Photography, and Everyday Patriarchy 30 2. The Labor of Cute: Net Idols in the Digital Economy 57 3. Career Porn: Blogging and the Good Life 81 4. Working without Sweating: Amateur Traders and the Financialization of Daily Life 106 5. Dreamwork: Cell Phone Novelists, Affective Labor, and Precarity Politics 132 Epilogue. Digital Labor, Labor Precarity, and Basic Income 155 Notes 167 References 207 Index 225
Acknowledgments vii Introduction. Labor and Gender in Japan's Digital Economy 1 1. Disidentifications: Women, Photography, and Everyday Patriarchy 30 2. The Labor of Cute: Net Idols in the Digital Economy 57 3. Career Porn: Blogging and the Good Life 81 4. Working without Sweating: Amateur Traders and the Financialization of Daily Life 106 5. Dreamwork: Cell Phone Novelists, Affective Labor, and Precarity Politics 132 Epilogue. Digital Labor, Labor Precarity, and Basic Income 155 Notes 167 References 207 Index 225
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