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This text challenges the familiar binary oppositions that have defined the field - black/white, imported/indigenous, purist/hybrid, and text/performance. and shows how the contributions of America and African-American influences complicate oppositions between European and African. It also highlights the contribution of women, South Asians and other minorities, and concludes with a discussion of the post-apartheid character of South Africa at the end of the 20th century.
Chronicles the development of dramatic writing and performance from the time South Africa was established to
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Produktbeschreibung
This text challenges the familiar binary oppositions that have defined the field - black/white, imported/indigenous, purist/hybrid, and text/performance. and shows how the contributions of America and African-American influences complicate oppositions between European and African. It also highlights the contribution of women, South Asians and other minorities, and concludes with a discussion of the post-apartheid character of South Africa at the end of the 20th century.
Chronicles the development of dramatic writing and performance from the time South Africa was established to post-apartheid. Investigates the impact of sketches and manifestos, and the oral preservation of scripts that could not be written.
Autorenporträt
Loren Kruger is Associate Professor of English, Comparative Literature, and African and African-American Studies at the University of Chicago. She is the author of The National Stage and currently editor of Theatre Journal.