Oral Literary Performance in Africa
Beyond Text
Herausgeber: Otiono, Nduka; Ak&
Oral Literary Performance in Africa
Beyond Text
Herausgeber: Otiono, Nduka; Ak&
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This book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. It will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.
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This book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. It will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 280
- Erscheinungstermin: 9. Januar 2023
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 426g
- ISBN-13: 9780367630195
- ISBN-10: 0367630192
- Artikelnr.: 69890432
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 280
- Erscheinungstermin: 9. Januar 2023
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 426g
- ISBN-13: 9780367630195
- ISBN-10: 0367630192
- Artikelnr.: 69890432
Nduka Otiono is Associate Professor and Graduate Program Supervisor at the Institute of African Studies, Carleton University. He is the author and co-editor of several books of creative writing and academic research including Polyvocal Bob Dylan: Music, Performance, Literature (2019) and Wreaths for a Wayfarer (2020). Chiji Ak¿ma is Associate Professor of African and African Diaspora Literatures with joint appointments in the Department of English and the Department of Global Interdisciplinary Studies at Villanova University. He is the author Folklore in New World Black Fiction: Writing and the Oral Traditional Aesthetics (2007).
Introduction: A Heritage of African Oral Literary Performance Studies Part
I: Recapturing Tradition: The Oral Performance in Transition 1. Elfrieda
Binga's "Berseba": Constructing History and Identity in a Rural Namibian
Village 2. "The Crocodile's Wife": Content and Communication Strategy in A
Tale of Transformations 3. 'The aged, the infirm and the effeminate':
Rhetorical Strategies in Election Rally Songs from Nigeria and Lesotho 4.
Orality, Masculinities and Narrative Strategies in The Arabian Nights Part
II: The Word Made Flesh: Intermediated Orality and Modern Transformations
5. Translation of African Oral Narrative-performances to the Written Word
6. Asiyefunzwa na Wazazi na Mzuka: Swahili Supernatural Homiletics in an
Age of Promiscuity 7. History, Mofolo's Chaka, and the Postcolonial
"Bastard" 8. Globalisation of Sango: Soyinka's Mythic Adaptation of
Oedipus at Colonus Part III: Orality at Crossroads: Folklife, Modernity,
and Globalisation 9. African Verbal Arts Online: Intermediality and
"Technauriture" 10. Writer-Reader Interaction in Newspaper Serial Writing
in Tanzania: The Transformation of an Oral Storytelling Mode 11. The
Manipulation of Verbal Folklore Genres in Mass Media Communication 12. Go
Fetisa Lekoalo/Beyond Literature: Orality, Poetry and Music in
Post-apartheid Spoken Word Poetry Part IV: The Scholar as Artist: Isidore
Okpewho and African Oral Performance Studies 13. Isidore Okpewho - An
Intellectual Portrait 14. In Praise of Counter-Hegemony: Isidore Okpewho
and the Alternative Discourse in African (Oral) Literature 15. Isidore
Okpewho: Scholarship, Imaginative Writing, and the Assertion of the African
Sensibility 16. Choosing Two Sides Equally: An Interview with Isidore
Okpewho
I: Recapturing Tradition: The Oral Performance in Transition 1. Elfrieda
Binga's "Berseba": Constructing History and Identity in a Rural Namibian
Village 2. "The Crocodile's Wife": Content and Communication Strategy in A
Tale of Transformations 3. 'The aged, the infirm and the effeminate':
Rhetorical Strategies in Election Rally Songs from Nigeria and Lesotho 4.
Orality, Masculinities and Narrative Strategies in The Arabian Nights Part
II: The Word Made Flesh: Intermediated Orality and Modern Transformations
5. Translation of African Oral Narrative-performances to the Written Word
6. Asiyefunzwa na Wazazi na Mzuka: Swahili Supernatural Homiletics in an
Age of Promiscuity 7. History, Mofolo's Chaka, and the Postcolonial
"Bastard" 8. Globalisation of Sango: Soyinka's Mythic Adaptation of
Oedipus at Colonus Part III: Orality at Crossroads: Folklife, Modernity,
and Globalisation 9. African Verbal Arts Online: Intermediality and
"Technauriture" 10. Writer-Reader Interaction in Newspaper Serial Writing
in Tanzania: The Transformation of an Oral Storytelling Mode 11. The
Manipulation of Verbal Folklore Genres in Mass Media Communication 12. Go
Fetisa Lekoalo/Beyond Literature: Orality, Poetry and Music in
Post-apartheid Spoken Word Poetry Part IV: The Scholar as Artist: Isidore
Okpewho and African Oral Performance Studies 13. Isidore Okpewho - An
Intellectual Portrait 14. In Praise of Counter-Hegemony: Isidore Okpewho
and the Alternative Discourse in African (Oral) Literature 15. Isidore
Okpewho: Scholarship, Imaginative Writing, and the Assertion of the African
Sensibility 16. Choosing Two Sides Equally: An Interview with Isidore
Okpewho
Introduction: A Heritage of African Oral Literary Performance Studies Part
I: Recapturing Tradition: The Oral Performance in Transition 1. Elfrieda
Binga's "Berseba": Constructing History and Identity in a Rural Namibian
Village 2. "The Crocodile's Wife": Content and Communication Strategy in A
Tale of Transformations 3. 'The aged, the infirm and the effeminate':
Rhetorical Strategies in Election Rally Songs from Nigeria and Lesotho 4.
Orality, Masculinities and Narrative Strategies in The Arabian Nights Part
II: The Word Made Flesh: Intermediated Orality and Modern Transformations
5. Translation of African Oral Narrative-performances to the Written Word
6. Asiyefunzwa na Wazazi na Mzuka: Swahili Supernatural Homiletics in an
Age of Promiscuity 7. History, Mofolo's Chaka, and the Postcolonial
"Bastard" 8. Globalisation of Sango: Soyinka's Mythic Adaptation of
Oedipus at Colonus Part III: Orality at Crossroads: Folklife, Modernity,
and Globalisation 9. African Verbal Arts Online: Intermediality and
"Technauriture" 10. Writer-Reader Interaction in Newspaper Serial Writing
in Tanzania: The Transformation of an Oral Storytelling Mode 11. The
Manipulation of Verbal Folklore Genres in Mass Media Communication 12. Go
Fetisa Lekoalo/Beyond Literature: Orality, Poetry and Music in
Post-apartheid Spoken Word Poetry Part IV: The Scholar as Artist: Isidore
Okpewho and African Oral Performance Studies 13. Isidore Okpewho - An
Intellectual Portrait 14. In Praise of Counter-Hegemony: Isidore Okpewho
and the Alternative Discourse in African (Oral) Literature 15. Isidore
Okpewho: Scholarship, Imaginative Writing, and the Assertion of the African
Sensibility 16. Choosing Two Sides Equally: An Interview with Isidore
Okpewho
I: Recapturing Tradition: The Oral Performance in Transition 1. Elfrieda
Binga's "Berseba": Constructing History and Identity in a Rural Namibian
Village 2. "The Crocodile's Wife": Content and Communication Strategy in A
Tale of Transformations 3. 'The aged, the infirm and the effeminate':
Rhetorical Strategies in Election Rally Songs from Nigeria and Lesotho 4.
Orality, Masculinities and Narrative Strategies in The Arabian Nights Part
II: The Word Made Flesh: Intermediated Orality and Modern Transformations
5. Translation of African Oral Narrative-performances to the Written Word
6. Asiyefunzwa na Wazazi na Mzuka: Swahili Supernatural Homiletics in an
Age of Promiscuity 7. History, Mofolo's Chaka, and the Postcolonial
"Bastard" 8. Globalisation of Sango: Soyinka's Mythic Adaptation of
Oedipus at Colonus Part III: Orality at Crossroads: Folklife, Modernity,
and Globalisation 9. African Verbal Arts Online: Intermediality and
"Technauriture" 10. Writer-Reader Interaction in Newspaper Serial Writing
in Tanzania: The Transformation of an Oral Storytelling Mode 11. The
Manipulation of Verbal Folklore Genres in Mass Media Communication 12. Go
Fetisa Lekoalo/Beyond Literature: Orality, Poetry and Music in
Post-apartheid Spoken Word Poetry Part IV: The Scholar as Artist: Isidore
Okpewho and African Oral Performance Studies 13. Isidore Okpewho - An
Intellectual Portrait 14. In Praise of Counter-Hegemony: Isidore Okpewho
and the Alternative Discourse in African (Oral) Literature 15. Isidore
Okpewho: Scholarship, Imaginative Writing, and the Assertion of the African
Sensibility 16. Choosing Two Sides Equally: An Interview with Isidore
Okpewho