"Theoretically sophisticated, politically astute, and historically informed, this is a brilliant work, one that will be a productive model for the future study of Italian cinema as well as the investigation of national cinema in general. There is no doubt that this is one of the best books ever written in English on Italian cinema, and by far the most theoretically advanced. Restivo's fascinating exploration of questions of subjectivity, space, and nation will be of great interest to scholars in fields beyond Italian cinema as well."--Peter Brunette, author of "Roberto Rossellini"
"Theoretically sophisticated, politically astute, and historically informed, this is a brilliant work, one that will be a productive model for the future study of Italian cinema as well as the investigation of national cinema in general. There is no doubt that this is one of the best books ever written in English on Italian cinema, and by far the most theoretically advanced. Restivo's fascinating exploration of questions of subjectivity, space, and nation will be of great interest to scholars in fields beyond Italian cinema as well."--Peter Brunette, author of "Roberto Rossellini"
Acknowledgments > Part I: Neorealism and Nation 1. Writing the National Cinema 2. Neorealism and the Stain Part II: The Nation, The Body, and Pasolini > 3. Tropes of Modernization: The Bandit and the Road 4. Spatial Transformations: Mapping the New Italy 5. Pasolini and the Limits of Resistance Part III: Antonioni and the Postmodern Sublime 6. The Object Antonioni 7. The Sublime and the Disaster Part IV: Boundaries 8. The Erotics of the Periphery Notes Bibliography Index
Acknowledgments > Part I: Neorealism and Nation 1. Writing the National Cinema 2. Neorealism and the Stain Part II: The Nation, The Body, and Pasolini > 3. Tropes of Modernization: The Bandit and the Road 4. Spatial Transformations: Mapping the New Italy 5. Pasolini and the Limits of Resistance Part III: Antonioni and the Postmodern Sublime 6. The Object Antonioni 7. The Sublime and the Disaster Part IV: Boundaries 8. The Erotics of the Periphery Notes Bibliography Index
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