This broad introduction to Caribbean music approaches the subject through socio-cultural themes specific to the colonial encounter - creolisation, transnationalism and identity. These thematic continuities illuminate the complexities of the region's multi-layered musical traditions, which contribute to defining the island nations and their diasporas.
This broad introduction to Caribbean music approaches the subject through socio-cultural themes specific to the colonial encounter - creolisation, transnationalism and identity. These thematic continuities illuminate the complexities of the region's multi-layered musical traditions, which contribute to defining the island nations and their diasporas.
Foreword Lester Monts; 1. Introduction to the Caribbean and its History An Overview Nanette de Jong; 2. Race and Transculturation The Cuban Son Robin Moore; 3. Salsa Soundings Puerto Rico and the Americas Frances R Aparicio; 4. Blackness and Identity Dominican Merengue Angelina Tallaj; 5. From the island to global stages Dominican bachata on the move Deborah Pacini-Hernandez; 6. Investigating the Caribbean's African past Kokomakaku stickdance from Curaçao Nanette de Jong; 7. Reframing diasporic belonging Curaçao Tambú parties in the Netherlands Nanette de Jong; 8. Competition, Conflict and Cooperation Haitian Rara Michael Largey; 9. Uncovering hidden histories of meaning Guadeloupe Gwoka Brenda F. Berrain; 10. The Foundations of rap music and postcolonial emancipation Guadeloupe Hip-Hop Florabelle Spielmann; 11. Konpa, Zouk and the politics of world music Haiti, Dominica, Guadeloupe and Martinique Hélène Zamor and Apollinaire Anakesa Kululuka; 12. Globalisation in Reggae and the Dub Diaspora Jamaica David V Moskowitz; 13. Musical orality and literacy in the transmission of knowledge and praxis Trinidad and Tobago Felicity Laurence and Nanette de Jong; 14. Narratives of Return Carriacou and the Big Drum Ritual Nanette de Jong and Linda F. Williams; 15. Decolonising Caribbean imaginings Conclusion Nanette de Jong and Julio Nazario.
Foreword Lester Monts; 1. Introduction to the Caribbean and its History An Overview Nanette de Jong; 2. Race and Transculturation The Cuban Son Robin Moore; 3. Salsa Soundings Puerto Rico and the Americas Frances R Aparicio; 4. Blackness and Identity Dominican Merengue Angelina Tallaj; 5. From the island to global stages Dominican bachata on the move Deborah Pacini-Hernandez; 6. Investigating the Caribbean's African past Kokomakaku stickdance from Curaçao Nanette de Jong; 7. Reframing diasporic belonging Curaçao Tambú parties in the Netherlands Nanette de Jong; 8. Competition, Conflict and Cooperation Haitian Rara Michael Largey; 9. Uncovering hidden histories of meaning Guadeloupe Gwoka Brenda F. Berrain; 10. The Foundations of rap music and postcolonial emancipation Guadeloupe Hip-Hop Florabelle Spielmann; 11. Konpa, Zouk and the politics of world music Haiti, Dominica, Guadeloupe and Martinique Hélène Zamor and Apollinaire Anakesa Kululuka; 12. Globalisation in Reggae and the Dub Diaspora Jamaica David V Moskowitz; 13. Musical orality and literacy in the transmission of knowledge and praxis Trinidad and Tobago Felicity Laurence and Nanette de Jong; 14. Narratives of Return Carriacou and the Big Drum Ritual Nanette de Jong and Linda F. Williams; 15. Decolonising Caribbean imaginings Conclusion Nanette de Jong and Julio Nazario.
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