This is a first-of-its-kind text: a collaborative volume dedicated solely to scholarly consideration of the drum kit. It features an array of perspectives on the social, material, and performative dimensions of the drum kit, with original contributions by emerging and established scholars and drummers.
This is a first-of-its-kind text: a collaborative volume dedicated solely to scholarly consideration of the drum kit. It features an array of perspectives on the social, material, and performative dimensions of the drum kit, with original contributions by emerging and established scholars and drummers.
Introduction Joseph Michael Pignato, Daniel Akira Stadnicki and Matt Brennan; I. Histories of the Drum Kit: 1. The drum kit in theory Matt Brennan; 2. Historically informed jazz performance on the drum kit Paul Archibald; 3. Toward a cultural history of the backbeat Steven Baur; 4. Historicizing a scene and sound: the case of Colombia's Música Tropical Sabanera Pedro Ojeda and Juan David Rubio Restrepo; II. Analysing the Drum Kit in Performance: 5. The drum kit beyond the anglosphere: the case of Brazil Daniel Gohn; 6. Drum kit performance in contemporary classical music Ben Reimer; 7. Theorizing complex meters and irregular grooves Scott Hanenberg; 8. Shake, rattle, and rolls: drumming and the aesthetics of Americana Daniel Akira Stadnicki; 9. Drum tracks: locating the experiences of drummers in recording studios Paul Thompson and Brett Lashua; III. Learning, Teaching, and Leading on the Drum Kit: 10. Studying hybrid and electronic drum kit technologies Bryden Stillie; 11. The aesthetics of timekeeping: creative and technical aspects of learning drum kit Carlos Xavier Rodriguez and Patrick Hernly; 12. Mentorship: jazz drumming across generations Joseph Michael Pignato; 13. Leadership: the view from behind the kit Bill Bruford; IV. Drumming Bodies, Meaning, and Identity: 14. The meaning of the drumming body Mandy Smith; 15. Disability, drumming, and the drum kit Adam Patrick Bell and Cornel Hrisca-Munn; 16. Seen but not heard: performing gender and popular feminism on drumming Instagram Vincent Andrisani and Margaret MacAulay; 17. Building inclusive drum communities: the case of hey drums Nat Grant; 18. A window into my soul: eudaimonia and autotelic drumming Gareth Dylan Smith.
Introduction Joseph Michael Pignato, Daniel Akira Stadnicki and Matt Brennan; I. Histories of the Drum Kit: 1. The drum kit in theory Matt Brennan; 2. Historically informed jazz performance on the drum kit Paul Archibald; 3. Toward a cultural history of the backbeat Steven Baur; 4. Historicizing a scene and sound: the case of Colombia's Música Tropical Sabanera Pedro Ojeda and Juan David Rubio Restrepo; II. Analysing the Drum Kit in Performance: 5. The drum kit beyond the anglosphere: the case of Brazil Daniel Gohn; 6. Drum kit performance in contemporary classical music Ben Reimer; 7. Theorizing complex meters and irregular grooves Scott Hanenberg; 8. Shake, rattle, and rolls: drumming and the aesthetics of Americana Daniel Akira Stadnicki; 9. Drum tracks: locating the experiences of drummers in recording studios Paul Thompson and Brett Lashua; III. Learning, Teaching, and Leading on the Drum Kit: 10. Studying hybrid and electronic drum kit technologies Bryden Stillie; 11. The aesthetics of timekeeping: creative and technical aspects of learning drum kit Carlos Xavier Rodriguez and Patrick Hernly; 12. Mentorship: jazz drumming across generations Joseph Michael Pignato; 13. Leadership: the view from behind the kit Bill Bruford; IV. Drumming Bodies, Meaning, and Identity: 14. The meaning of the drumming body Mandy Smith; 15. Disability, drumming, and the drum kit Adam Patrick Bell and Cornel Hrisca-Munn; 16. Seen but not heard: performing gender and popular feminism on drumming Instagram Vincent Andrisani and Margaret MacAulay; 17. Building inclusive drum communities: the case of hey drums Nat Grant; 18. A window into my soul: eudaimonia and autotelic drumming Gareth Dylan Smith.
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