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This powerful play deals with the aftermath of French Emperor Napoleon's disastrous retreat from Russia in 1812, and the subsequent victory of the allied forces arrayed against him in 1814--a defeat that forced Napoleon into exile on the island of Elba. From Elba he returned to France for "The Hundred Days" revival of his monarchy in 1815, before finally being exiled to the South Atlantic. In the hands of Dumas, the Emperor is perhaps his most vivid fictional creation--more interesting and powerful than D'Artagnan, Edmond Dantès, or any of his other characters. How close this portrait…mehr

Produktbeschreibung
This powerful play deals with the aftermath of French Emperor Napoleon's disastrous retreat from Russia in 1812, and the subsequent victory of the allied forces arrayed against him in 1814--a defeat that forced Napoleon into exile on the island of Elba. From Elba he returned to France for "The Hundred Days" revival of his monarchy in 1815, before finally being exiled to the South Atlantic. In the hands of Dumas, the Emperor is perhaps his most vivid fictional creation--more interesting and powerful than D'Artagnan, Edmond Dantès, or any of his other characters. How close this portrait resembles the historical man is for historians to decide--but the play's battle scenes are magnificent, the dramatic tension as the allied net closes around Napoleon builds to an almost unbearable level, and the drama is, in the end, great entertainment!
Autorenporträt
Alexandre Dumas, born Dumas Davy de la Pailleterie; 24 July 1802 - 5 December 1870), was a French writer. His works have been translated into nearly 100 languages, and he is one of the most widely read French authors. Many of his historical novels of high adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne: Ten Years Later. His novels have been adapted since the early twentieth century for nearly 200 films. Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris. The English playwright Watts Phillips, who knew Dumas in his later life, described him as "the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the Earth. His tongue was like a windmill - once set in motion, you never knew when he would stop, especially if the theme was himself."